Many people will tell you that it can. And not only that, but that it has already changed theirs.

Most people who know me know that I typically expound the benefits of larger doses, but I always like an experiment, and if that experiment includes psychedelics, even better. So I thought I’d give it a fresh go, and I recently finished a month of microdosing psilocybin.

In this post, I’m going to share a report of my experience. I’ll also share my protocol, how I incorporated it into my routine, and overall what I experienced during the month, including positives and negatives.

Let’s dive in.

My Motivation and Previous Microdosing Experience

Honestly, I didn’t have a specific intention for the microdosing month. The experiment came about because I wanted to incorporate taking Lion’s Mane mushrooms into my routine (a mushroom touted for a whole host of health benefits). Lion’s mane are regularly taken with psilocybin as part of the now fairly well known ‘Stamets Stack’. So I thought ‘why not give it a go’?

I’ve done microdosing experiments before with LSD to positive results. I’ve also experimented before with micro and low doses of psilocybin, but never consistently or on any kind of regimen.

As the results of microdosing are subtle, it’s hard to pinpoint what’s working exactly. And so far, there is no solid science that tells us that microdosing is more than a placebo.

That said, there is a whole, whole lot of anecdotal evidence that reports on the positives.

The best way to find out if something works for you is to try it yourself.

So, that’s what I did.

My Protocol

Here’s a high-level look at how I conducted the microdosing experiment. I’ll go into more detail on each below.

• 5 days on, 2 days off
• Taken in the mornings with mushroom coffee (including lion’s mane, chaga, and cordyceps)
• Part of my morning routine
• Kept a log

5 days on, 2 days off

I dosed Monday – Friday and took weekends off. This is the pattern of famed mycologist Paul Stamets’ microdosing protocol I mentioned before. The main difference is that I didn’t take niacin, where Stamets’ recommends this. I typically work Mon-Fri so this fit in with my working schedule.

Served With Morning Mushroom Coffee

I incorporated my microdosing into my morning routine. Y’all know I love a good morning routine.

My morning routine for this period was:
– 3-5km run
– Shower
– 10 minutes Box Breathing
– Smoothie
– Microdose Mushroom Coffee whilst reading
– Start work

I would weigh out my dried and ground mushroom dose the night before and put it in a mug with a teaspoon of mushroom coffee. I’d cover the mug and leave it on my sideboard so it would be waiting for me the next day.

I used Mushies mushroom coffee. On weekends when I wasn’t microdosing psilocybin, I still took lion’s mane by way of their capsules and extract tincture.

Keeping a Log

I kept a log during the period. Y’all also know I like to keep drug logs.

I made a makeshift table in my bullet journal with columns for:

• Day and date
• Dose
• Strain
• Time taken
• Notes on the experience (with timestamps where relevant).

Notes on the experience included anything that seemed notable, and if nothing, just a few words about how I felt the day went. This included things like ‘good mood’, ‘productive day’, ‘tingling sensations’ etc. I included timestamps where they seemed relevant, like ‘tingling sensations’, so I could see how long after taking the dose I felt them.

Days 1-4: Finding The Dose

I generally have a higher-than-average tolerance for psilocybin, so I started with a decent dose of 0.3 grams of JMF psilocybin mushrooms.

I planned my first microdose day on a day when I had flexibility regarding my work schedule, just in case it was a bit high.

It was a good idea. I felt a slight tingling even before I had finished my coffee and thought ‘hmmm’. I then noticed the floor moving on a bathroom break not long after.

I knew that I’d taken more than a microdose and wouldn’t get much of the work I’d planned done, so I got comfortable, lay down, and put some music on my headphones. I did find it annoying as I had work I wanted to do, but there was nothing for it.

It wasn’t a real trip (basically level 1.5), so nothing major to report on. I just lay there listening to music. It was light enough that once it worn off, I was able to work in the afternoon.

The next day I scaled right down to 0.03g. I didn’t want to have to skip work again! It was a productive day.

On the third day I went up to 0.04g and reached a threshold experience. I was surprised that I could feel something from so low a dose, but it was unmistakable.  I could feel tingling sensations through my body, a slight sense of discomfort, and I needed to pee more often (which I’d experienced on threshold doses of LSD).

On day four I went down to 0.03g and had a good day, so I settled on this for the rest of the month.

My Experience

Positives: Good mood, positive, productive, focused

Overall, I had a good month. Most days I have notes which read ‘good mood’, ‘productive’, ‘positive’ and ‘good focus’, or some combination of those words.

To sum it up I would say I experienced good focus, good mood, general feeling of being upbeat and positive, and forward flowing with motion.

Microdosing by its very nature is very subtle, so it’s hard to say if I would’ve felt like this anyway, but regardless, those are the results. In general, I’d say these are typical of my days, but maybe not quite as noticeably. A friend of mine says he notices his microdose days more towards the end of the day when he reflects back and thinks ‘that was a good day’. So it could be something like that.

This fits in with a lot of the anecdotal reports and the general gist of Ayelet Waldman’s microdosing memoir: ‘A Really Good Day’, if not as radical.

On a smaller note, I also found it easier to make good decisions on a small level, such as making healthy food choices when shopping in the supermarket. That connecting-to-the-big-picture psychedelic effect.

Negatives: Anxiety

I did experience some unwelcome anxiety on two of the days.

One was on a travel day at the end of the month when my train was delayed multiple times as I was heading to the airport. I got fidgety and worried I might miss my flight.

Whilst this is understandable, I would say that I don’t usually feel this level of anxiety in this situation. I would guess that without any dose, I would’ve been more composed. This time, I did some box breathing via a guided audio on my phone which helped cool me down, if only a little.

There was another morning when I read an email that a payment processor was closing my account because of the nature of my business. I don’t normally go into my inbox in the mornings but I needed to get something out of there and the email caught my attention.

As I already had money sitting in that processor’s account, I found this stressful and worrying as I wasn’t sure if this would cause complications with getting said money out. It derailed my morning a bit and put me a bit out of whack.

Again, this would normally be stressful but I think the microdose intensified this. I was actually sweating! I’m not uber cool but I don’t think that would be my reaction on a normal day. It was only a few hundred bucks, not a huge sum.

Aside from my first days when finding my dose, these were my only two negative experiences in the month.

Final Thoughts

My conclusion from this month is that microdoses of psilocybin can intensify my present mood.

If I’m focused and positive, more so. If I’m anxious or worried, more so.

This fits in with psychedelics’ effect of state amplification, though I do find it surprising this happened on so low of a dose. It might have been due to a build-up of subtle effects over the month.

Overall it was a positive month. Even if it was nothing I would personally call groundbreaking, I have continued to microdose on carefully selected days in the meantime.

I would like to add that people experience microdosing very differently. A lot of people report that it lowers anxiety, or helps with depression. Or any other host of effects. This is just one man’s report.

If you’re curious, I would say, try it for yourself!

–

If you’re looking for a good source of mushrooms, I can recommend Mushies. I really enjoy their mushroom coffee!
Use code MAPS for 10% off!

The post One Month Microdosing Psilocybin: My Report appeared first on Maps of the Mind.

MDMA and live music: Now we’re talking.

Concerts, gigs, shows. Whatever you call them. MDMA can heighten the experience beautifully.

The combo is a popular choice because it goes down so so well.

As the psychedelic revival continues to grow, much talk on the use and application focuses on the idea of using psychedelics in a medical or clinical context. While some argue that psychedelics are only good when used for treatment or healing, I believe in cognitive liberty. 

Citizens should have the freedom to alter their minds as they choose. That includes taking MDMA for enjoyment, fun, therapy, and mental health interventions.

I am a huge believer in using both classic and non-classic psychedelics for healing and therapeutic purposes, and at the same time, going to gigs on drugs has been one of my greatest joys in life.

So I wanted to write a blog post to help others have some amazing and memorable experiences. This post will contain some tips to help you make the most of your experience. Of course, many drugs can be enjoyed with live music, and most of the tips here will apply across the board. I’m just keeping on theme for MDMA month on the blog.

We’ll go in three sections, in chronological order: 1. Pre-show, 2. During, and 3. After.

Let’s ago!

1: Pre-Concert

Before getting into concert specifics, follow these standard MDMA best practices to help ensure a smooth and enjoyable experience.

1.1: Prepare Doses

Save yourself the hassle of fumbling with tiny crystals while you’re out and about. Pre-weigh your doses and have them ready to go in capsules. I generally like to dose before entering the venue if I can so I don’t have to think about any security checks, but in my experience, those are usually pretty lax.

1.2: Create a Basic Schedule

Timing the dose well is key. This prevents the need for redosing, or not being high when the band plays.

To time well, knowing the stage times is crucial.

Reach out to the band on Instagram or Twitter, contact the venue, or arrive early to find out, where stage times might be posted around. Otherwise, you might ask the sound guy or whoever is at the merch stand, as they’re usually wise to this info. If you can’t get this info before, you can make a best guess. Based on doors opening, how many bands are playing and recent gigs at the venue. 

Once you have the stage time, you can work backward to create a basic schedule and plan your time of dose accordingly.

I typically aim to be up and feeling the effects about 15-30 minutes before the band I am there to see steps on stage.

For example, say I’m seeing the Oh Sees, and they’re on at 9:00pm.

I like to dose on a more or less empty stomach, and MDMA takes about 80 minutes to kick in on said empty stomach. So I’d make a basic schedule that looks like this:

5:00 Dinner
7:15 Dose / Leave
8:00 Arrive venue
8:00 Opening band
9:00 Oh Sees

1.3: Essential Packing List

Make sure you have any important items with you. Here’s my standard packing list:

• Wallet
• Keys
• Phone
• Earplugs (I’ll usually use these for opening acts to save my ears)
• Chewing Gum
• Water (note that some venues won’t allow you to take this in)
• Weed vape

Make your own with items you’ll need or want and know where you’re keeping them for the show.

1.4: Scouting the Venue

It can help to get familiar with the venue before the concert.

You might find out if sections are standing, or if seating is unreserved or reserved and choose your ticket type accordingly. This can help avoid the stress of searching for seats while under the influence.

1.5 Cloakroom and Jacket Considerations

To ensure maximum comfort during the concert, consider the cloakroom options. Some venues offer cloakrooms or garderobe where you can store your belongings for a small fee. Some don’t. Again, you might try and find this out before, but if you can’t you’ll need to be prepared for both scenarios. 

If it’s not available or practical, you might wear lightweight clothing and keep your valuables on you.

I’ve just placed my jacket in a corner or on the stage at some shows and picked it up after. If you do this you might take an old jacket so that you won’t be too worried if it disappears (it has happened to me once!).

2: Navigating the Concert Environment

2.1: Scouting the Venue on Arrival

When you arrive, familiarize yourself with the venue. Knowing the layout and key locations will help you feel more at ease and in control of your surroundings, help allow you to fully immerse yourself in the concert experience.

Here’s a few basics:

• Locate the toilets: Knowing their location will save you time and prevent any unnecessary wandering around in search of them. Also good to have this knowledge when MDMA might increase your need to use the facilities.
• Identify water sources: Staying hydrated is obviously important, especially if you’re going to be dancing or sweating. However, sometimes the bar queues are a joke. So you might like to keep a small bottle on you. One trick I use is hydrating from the bathroom taps if they’re accessible and clean. If you’ve been able to bring in an empty water bottle you can top this up there. It can also be nice to splash water over yourself to cool down.
• Explore the outdoor area: Fresh air and a change of scenery can enhance your experience and provide a brief respite from the crowded concert environment. Also can be a good spot to meet up with friends or take a breather between sets.
• Other places: Places to sit down: Good to know in case you need it.

Also good to familiarize yourself with the entrances, exits, and any other noteworthy features or spaces. 

2.2: Empty Your Bladder

I like to do this directly before the band I wanna see cause y’know, I don’t wanna go in the middle of their set.

2.3 Finding Your Spot In The Crowd

If standing, where are you gonna stand for the show?

This is entirely up to you, but if you’re with friends you might like to briefly discuss it before.

Will you attempt to stay together? Will you maybe lose each other in the crowd? Some people like to be closer to the action, some people prefer to be in spots where its less crowded. You may also split up and reconvene later. Some clarity on this can be useful though.

For most gigs I like free reign and then to catch up with friends again after. If you like to be close to the front, one trick I’ve found that works well is to wait until the band starts playing, and then just move forward to the pit. It helps prevent the old sliding past people and then just stopping awkwardly infront of someone.

If you’re close to someone in the crowd who’s bothering you for whatever reason, I’d suggest moving to another spot sooner rather than later.

If you’re in unreserved seating, you might like arrive early and claim your spot.

When choosing or booking seats, you might consider if you’d like to be close to the aisle for easy access and not having to trample and squeeze past people when you wanna get out.

2.4 Placing Your Attention

Where you put your attention can massively change your experience. It’s consciously filtering the intake of your setting.

This might be from watching the band, closing your eyes and tuning in to the sounds of the music, taking a panoramic of the light show, or watching a particular band member. If there is a band member whose energy you’re vibing with, try and get in a spot where you have a good clear view of them. Or just remember to keep your eyes on them.

3 After The Show

3.1: Establishing a Meeting Place

Designate a meeting spot for easy reunions with friends. Make sure it’s a location that everyone can find without difficulty. You might choose somewhere inside or outside the venue.

3.2: Planning Transportation

Don’t leave yourself stranded in an unfamiliar city late at night and high. Figure out your transportation options before, then plan your transportation to the degree that you’d like to., considering timings and availability of options.

3.3: Preparing for After the Concert

If you’re heading home after the concert, have your preferred food, drinks or whatever else you’d like ready and waiting for you. 

Final Thoughts

Some of my favorite and most memorable life experiences have been at concerts, with substances, and in a combination of both. That includes being obliterated in a tornado of Ty Segall’s guitars (2-CB+MDMA), feeling universal love with Sigur Ros (1p-LSD), and rocking out to the Oh Sees (MDMA – yes that example was from last month).

I hope this guide will help you to have some incredible and joyful experiences, too.

Remember basic safety, plan your schedule, pack the essentials, and navigate the concert environment like a pro. With these tips, you’ll be well-prepared to have an awesome time. 

If you have questions, feel free to reach out. I’m here to help you have an amazing concert experience!

Stay safe, and best wishes out there.

The post Practical Tips for Going to Concerts on MDMA appeared first on Maps of the Mind.

If used wisely, it’s a substance that can help heal trauma, actively improve relationships, fire up creative inspiration, and just have a really great time.

It also serves as a great entry point for psychonauts wanting to explore altered states because it’s tremendously easy to have a good time. This opens the door to deeper experiences in the corridors of consciousness and widening worldviews.

I’ve enjoyed and benefited from taking MDMA for a number of years. It has also been popping up in my field more recently and I see it’s time to shine coming to the forefront. So I’ve decided to write a short series on the wonder drug that made it into Shulgin’s magic dozen this month on the blog.

We’ll be exploring different modes of use, supplements, and concert experiences, and combining with classic psychedelics.

But today I’d like to start us on a firm footing: sharing some general best practices for safe MDMA use. These will help to reduce harm and maximize benefits.

To maintain a logical flow, I have organized these practices chronologically into three sections: Before, During, and After.

Follow these steps, whatever your session, to set yourself up for fruitful, beneficial, and dare I say, really fun times in your mollified states.

MDMA Best Practices

Before

Check Your Contraindications

If you’re taking any medication, be sure to check that there are no contraindications as this can be very serious. Also check your physical health, as MDMA can increase heart rate and blood pressure. Consult with your doctor when necessary, or one of those psychedelic consultants. 

Test Your Substance And/Or Know Your Source

As MDMA is currently unregulated, you almost certainly won’t know what it includes. Testing can help you be sure that what you have doesn’t contain something dangerous like fentanyl. You can find test kits online (UK) (US).

I’d recommend testing each batch. Or knowing and trusting your source. Who is the provider? Do you know them? Do you trust them? Is there any consequence for them if what you have isn’t actual MDMA? Consider these and have peace of mind from the outset.

Be Familiar With Basic Info and Possible Effects

Stuff like how long it takes to come on and the range of effects. Basic education. Important for any conscious drug user. PsychonautWiki is my go-to for such information.

Understanding that things like sweaty palms, increased heart rate, and clenching jaw are often par for the course helps to roll with it.

Find Your Dose

Dosage matters, and it’s personal. What is high for one person may be low for another, and vice versa.

A general rule to start is 50 mg plus your weight in kg. For example, if you weigh 77 kg, your dose would be 127 mg. 

Take Your Stomach Contents Into Account When Dosing

This can affect the time of onset and the strength of the effects. Taking on a full stomach will mean diminished effects and a longer time of onset.

I like to have something lightish (decent smoothie or bean salad) 2.5-3 hours before a first dose. I’ve found this to offer a predictable onset and effects at the doses I work with.

Also, save your nostrils the burn, and swallow rather than snort.

Weigh Your Dose

Get a milligram scale. The AWS Gemini is a decent, affordable option that will do the job.

You can buy empty capsules online and put your doses inside for convenient storage, transport, and ease of dosing.

During

Don’t Re-dose Excessively

MDMA largely feels good. Sometimes people just want to stay in that feel-good serotonin state, so they want to keep on dosing.

But your body will pay the price, and the more you consume in one session, the more serious any neurotoxic effects will be.

I would suggest choosing the number of doses in advance (not more than 3), and then just sticking to that.

If you’re an aging nerd like me, staying up all night and being completely toast the next day has less and less appeal over the years. I like to have the session, make the most of it, and then wind it down and get my rest.

So now I usually like a single decent dose, and then maybe one booster (around half of the original dose), after 60-120 minutes to prolong the session, if desired.

You might like to try the same.

Don’t Mix With Booze

Booze can dampen the effects of MDMA. It can also contribute to a hangover and feeling tired and exhausted the days after.

If you insist, try to at least go easy on it. 

I do, however, understand the joys of a cold beer. You might try drinking alcohol-free beers. They can offer that delicious taste and you won’t lack the feeling of getting drunk as you’ll be high anyway.

Stay Hydrated

Especially important if you’re dancing or sweating. Taking electrolytes can help.

If you’re not, however, this won’t be much of a concern. You don’t need to overdo it and drink so much that you’re continually having to go to the bathroom. You can use the color of your pee as a hydration guideline.

Be Mindful of Body Temperature

Again, dependent on what you’re doing and where you are, but overheating is one of the biggest dangers with MDMA, as it raises core body temperature. This is especially important to consider if out dancing or in crowded or otherwise hot places.

Be sure not to overheat and remove clothes or head to cooler or shaded areas as needed.

Supplements

There are a few different theories about supplements and I’ve been down a bit of a rabbit hole with research. I will return with a whole blog post on this soon. Check back to find it (or join the newsletter to stay up to date). In the meantime, you can check out this MDMA supplements guide. 

After

SLEEP

Yes, I put this in capitals because so many people miss this.

The importance of sleep in overall physical and mental health has been highlighted in recent years. Molly can be quite taxing on the nervous system so it’s especially important after a session.

Rest is crucial for recovery. Sleep is an essential part of this.

Take a lie in the day after, or get as much rest as needed.

I also recommend having that day after as an easy day, with the option to head to bed early again.

Do not renege on your sleep and rest in the days after an MDMA session.

Many people like to smoke some weed to help drift off to sleep a little easier. Some people recommend taking melatonin.

Keep an Eye on Your Frequency of Use

Don’t overdo it.

Overuse can lead to a higher risk of neurotoxic effects, gradually increasing tolerance, and ‘losing the magic’.

Using MDMA once every three months (four times a year) is a standard recommendation found online.

However, closer intervals have been used in MAPS studies (two sessions over a four week period [1], two or three sessions placed a month apart [2], and might be experimented with caution).

I have personally done it more frequently myself with no noticeable ill effect – taking into account the rest of the practices on this list. For example, once a month for a few months at the first lockdown, and two sessions on consecutive days on a summer mini-break with friends in the countryside. 

I should add that I seem to tolerate it well compared to most people – I’ve never really had the comedown or low mood in the week after that many people report. 

Stay Safe, Session Well

As always, take a thought to your setting and your company.

MDMA is a remarkable substance with vast potential.

Follow these basic practices for safe, healing, and wonderful experiences with this magnificent molecule.

The post Maximize Your MDMA Adventure: Best Practices for Safe and Optimal Experiences appeared first on Maps of the Mind.

Honestly, it felt fucking amazing.

See, I love punk rock music. I love listening to it. I love playing it. And I’ve been wanting to perform again for years.

I played in a punk band as a teenager, and a rock band as a student, but I hadn’t played or performed publicly since.

The last time was over 10 years ago.

Rocking out, c. 2009

So how did I get back on stage, shouting these songs about being a loner, an ill-fated LSD trip, and the war on drugs?

Of course, this didn’t happen overnight. I have been building back to this for a while. A key moment was stopping in Berlin, and getting back into going to live shows.

But regardless, I have no doubt in my mind that I wouldn’t have made it back to the stage already without doing The Artist’s Way.

The Artist’s Way is a course in book form. Subtitled ‘the classic course in discovering and recovering your creative self’, it is a program to be followed over 12 weeks. There are weekly reading and homework exercises to be done throughout the 12 week period.

So, wanting to use the new year’s energy as a fresh boost, I started the course on January 1st and just finished on Saturday.

The course is deep and the book covers a lot of ground, so in this post I won’t cover everything.
This will be a brief overview of my experience with The Artists Way, to give you an idea of what it’s like and if it might be for you.

The Tools

Outside of the weekly reading and exercises, there are two main tools in The Artists Way, The Morning Pages and The Artist’s Date.

The Morning Pages

The morning pages are three pages of longhand journaling to be done every morning.

A4 pages.
So about 30 minutes of pen and paper journaling every single morning.

I definitely felt resistance to this amount of journaling at times. But when I commit to something, I like to stick with it. So I did.

Generally, the pages can be about anything and everything.

For me, I found they were a chance to check in with myself, see what’s on my mind, dump it onto the page (I see notepads somewhat like therapists – in their non-judgmental receptivity), and actively think through things.

The pages gave me a chance to think actively and somewhat consciously, about areas I want to focus on in my life.

One section of the course involved writing down areas you need help or guidance on before you sleep and then journaling about them in the morning. This was like active brainstorming and problem-solving. I put key areas of my life I wanted to focus on: business, romance, and music – and fundamentals: eat, move, sleep.

As directed, the pages were also used for affirmations, exploring personal beliefs, and open-ended brainstorming.

Though the pages were quite a commitment, I found them to be hugely helpful.

I felt mentally clearer, and more ready and eager for each day by the time I finished them.

I could also see which topics were recurring, giving me insight into the contents of my mind.

Will I keep them up since finishing the 12 weeks?

Definitely.

Not every single day, but more as needed. Maybe a couple of times a week.

The Artist’s Date

The second main tool is The Artist’s Date.

The Artist’s Date is a weekly activity, say 2 hours, where you take you – and your inner artist – on a play date. It’s something to capture your imagination and nurture your creative consciousness. And the emphasis should be on fun.

It is to be done alone, with the idea that you are able to receive thoughts, and ideas – to hear your own inner voice.

I will admit that I found this surprisingly hard to keep up. I was also a bit unimaginative.

Still, I found it worthwhile. I went to the cinema a few times, a great hobby that I haven’t been up to much in the last couple of years. (and at a local cinema, for £5 a film, it’s a steal really).

Birmingham Artists Date

My funnest and most story-worthy artist date was heading over to the city of Birmingham, booking myself into a hostel for the night, and taking MDMA to go and see Titus Andronicus, a punk/indie band whose album An Obelisk has one of my favourites of the last few years.

The gig was a poignant experience in an unexpected way – but to save turning this into a trip report – the highlight was meeting one of my heroes after the show.

At the merch stand, I told ringleader Patrick that his music has been important to me, and thanked him. He visibly softened, expressed his appreciation, and extended his hand to shake in a tender and meaningful moment that’ll stay with me.

Honestly, I get a little misty just recalling it now.

After the gig, I went back to the hostel and ended up playing guitar in the common area for the travelers staying up and hanging out. I felt nervous before, but 7 weeks into the course, with the exercises I’d been doing, reflecting on my creative dreams, and plotting steps to get there, it pushed me over the edge in terms of picking up the guitar. Those continued steps got me to the first open mic a couple of weeks later on.

Weekly Tasks

Through the course, I would go to a cafe each Sunday and do my weekly reading and any journaling or written exercises.

This was a highlight of my week. It got me excited, inspired, and dreaming. I reflected, and wrote out action plans and small changes I would make.

Outside of journaling and reflection, other homework tasks included clearing out old stuff, writing letters to yourself, and mailing postcards to friends. An interesting one was a ban on reading for a week! There was a tonne of others. I won’t spoil the surprises but a few others were making collages, saying prayers, collecting pretty rocks, and treating oneself to childhood favorite foods.

There was a wide range of topics explored through the twelve weeks, really too much for me to dig into here, but one that resonated with me was perfectionism, process, and balance.

Perfectionism and Process

A key returning revelation was that we must allow ourselves to be bad artists if we are to be artists at all.

We must allow ourselves to make mistakes, understand that doing so is a necessary part of the process, and know that we won’t start great. This shifts the framing to process over result.

Balance

The Artist’s Way emphasizes a point of balance. It’s not all directly about creative work – in fact, very little of it is.

Sure, there is inner therapeutic work that includes looking at previous and childhood experiences and how they may have conditioned us. And the exercises include establishing a support system. And I can see why the process has apparently been used by therapists.

But a lot of it is about personal growth and self-care, bringing fun into life, and understanding that this leads to creative lives. Creativity is about festivity, enthusiasm, joy, and dreams. This was one of my favorite things about it.

One part I liked was that we surveyed six areas of our life. These were: work, exercise, romance/adventure, spirituality, play, and friends. These were rated three times throughout the course to check progress. Although I did go down in some areas (spirituality, exercise, and work suffered losses), overall, I gained 7 points across the board between week 2 and week 11, and this was hugely encouraging. Honestly, it felt great.

Final Thoughts

Overall, the 12 weeks on The Artist’s Way has been an amazing experience.

In general, I really enjoy committing to a guided growth process and allowing it to unfold as it will.

A couple of years ago I did a course in creativity: Amplify by Steve Pavlina, and the fruits were largely directed toward my psychedelic work. It was also hugely rewarding and had a big hand in the creation of the first version of The Conscious Psychedelic Explorer course, now three cohorts in and with plans to grow.

This time it was great for the focus to be on music, a love of mine that has been somewhat dormant but crying for attention in recent years. The fact I’ve performed solo in public now 5 times in the last 4 weeks (after 0 performances in the last 10 years, and never solo), with a childlike eagerness to continue, and a tonne of fresh ideas for songs and performances, speaks for itself.

I will admit that my enthusiasm for the process did wax and wane over the 12 weeks, and at times I found it quite hard to keep up. I didn’t do all of the exercises, not even close. But as Cameron writes, you can’t do the course perfectly, and as someone with sometimes obsessive tendencies (I like to be really thorough when I do things like this), I took this as a chance to practice letting go of perfectionism.

That said, I also think I will cycle back around for a second time, and do the things that I didn’t manage the first.

I have seen it dubbed: “A revolutionary program for personal renewal, The Artist’s Way will help get you back on track, rediscover your passions, and take the steps you need to change your life.”

I absolutely agree.

Overall, it’s been a great reminder of how much growth can be achieved in a short time when one is committed. And just as importantly, how fun, interesting, and exciting our lives can be.

Do The Artist’s Way With My Support

I’m hugely excited about the idea of offering a group process with The Artists Way, with weekly meetings and check-ins with a group of fellow explorers to share the journey with. I have some ideas for incorporating psychedelics into this course that I’m massively excited about too.

If you’re interested in doing this with a group of psychedelic-friendly folks, get in touch or join my mailing list.

In the meantime, if you’re interested in doing this in a 1-1 coaching format, just send me a message. I’d love to support you in your creative life!

The post My 12 Week Journey with The Artist’s Way appeared first on Maps of the Mind.

Strangeitude by Harry Pack @harrypackart

by The Archaic Revival

Most people read a travel guide before they go somewhere new.

But what if the place you’re going to features inter-dimensional travel, hyper-intelligent design, and a variety of sentient entities?

Here’s how to prepare for travel to DMT hyperspace:

Create a Comfortable Setting

Make sure you are in a comfortable, private setting.

Bonus points if it is also aesthetically pleasing. You want this space to feel grounded and safe.

If you’re using a room in your house, clean it. Light a candle or incense if you please, do anything that makes the setting feel warm and inviting. The spot you choose should allow you to go from sitting to lying down immediately, make sure you have something soft to lay on and a pillow. Optionally you can use a reclining chair.

Have Someone With You

This step is optional but recommended: have a trusted friend or loved one with you.

You can journey alone, but having someone by your side can help you stay grounded and reassure you of your safety. If you talk aloud during the experience, your sitter can help you navigate your experience or record what you said to tell you afterward.

Get Comfortable Physically

Wear loose-fitting clothes. The last thing you want while traveling through different dimensions is to be bothered by physical distractions.

Another optional, but helpful step is having a blanket over you during the experience. I find it adds comfort and a feeling of safety. A weighted blanket can also be used, the extra pressure puts your nervous system into “rest” mode which may reduce some symptoms of anxiety as you lift off.

Choose a Quality Vaporization Method

The last thing you want while reality is being ripped away from you is to have a coughing fit or to taste burnt DMT in your mouth.

My personal favorite vaporization methods are glass vapes(I use Eclipse) that are water-filtered & homemade vape pens, but everyone has different preferences.

Use whatever method seems best for you, but be aware that the “sub-quality methods” are significantly less efficient and often waste DMT.

Vapor Genie – DMT Vaporization Pipe

Top methods:

• Homemade vape pen or mod (propylene glycol+DMT)
• E-mesh vapes
• Dry herb vapes with changa or enhanced herb
• Glass Vapes (Eclipse, Vapor Genie)
• Dab Rig with electric nail (controlled heat)

Sub-quality methods:

• The ‘Machine’ (small glass bottle with hole in bottom & steel wool in the neck)
• Oil Burner (the thin glass makes DMT easy to burn)
• Sandwich method (DMT sandwiched between cannabis)
• Dab Rig with Torch (hard to control heat)
• Burning enhanced herb in a joint (not as efficient as vaping)

Avoid at all costs:

• Lightbulb
• Foil and a plastic bottle

Set a Simple Intention

An intention does not need to be complicated: “I hope I meet an important entity”, or “I want to learn something new”.

You can write down your intention or simply say it aloud. By setting an intention, you are acknowledging your role in the future experience and helping anchor your psyche before hyperspace.

Practice Breathing

Practice your breathing.

Counting in your head, breath in for 5 seconds, hold for 10, breath out for 5.

Repeat at least 3x.

Use this time breathing to clear your head & mentally prepare for the journey.

Measure Your Dose

The doses and descriptions below are general descriptions.

The doses below are based on a moderate tolerance, pure DMT, and a 100% efficient vaping method. If you’re using a less efficient vaping method, you may need a slightly higher dose for the same effects.

Personal tolerances vary widely, and these doses may be too low for some or too high for others.

~5mg [Threshold]

At this stage your vision is enhanced and your setting feels much more important and aesthetically pleasing. You feel slightly stoned- but with a feeling of great significance.

5-10mg [The Chrysanthemum]

DMT HD by Symbolika @symbolika_art

Mandalic closed-eye visuals, intense colors, complex geometric overlay, visual morphing during open-eyed visuals. A body high that is euphoric but out of body, quickly growing in intensity. An organic humming/buzzing noise.

10-15mg [The Transitition]

Increasingly complex visuals, accelerated out-of-body movement, an intense body high & a feeling of being sucked towards *something*.

As the visuals increase, so does the sound. As the humming reaches a crescendo, there is a sudden switch. The humming stops. A new world is created out of the previous scene flawlessly.

Butterfly Morph by Symbolika @symbolika_art

15-20mg [The Waiting Room]

The final space before a full breakthrough, the waiting room feels like a liminal, hyper dimensional version of ‘The Backrooms’.

At this point, if you open your eyes, your scene will not change. You are fully immersed in hyperspace.

Waiting rooms vary in style immensely and entities may be present at this stage.

Cosmic Corridors by AyJay @ayjayart

20-25mg [Breakthrough]

Hyperspace feels “more real than real”.

There is a feeling of intense familiarity combined with absolute amazement. The body transforms into intense euphoria. You will be thrust into an otherworldly environment and likely will be approached by entities of some kind.

Guardian 2 by Harry Pack @harrypackart

+35mg [Approaching OD]

Taking too much DMT typically results in full dissociation and being unable to remember the experience. Overdosing on DMT isn’t dangerous to your physical body and rarely has any lasting effects on the mind.

• A Thread on What a DMT overdose is like

Begin Smoking

No matter your method, be careful not to burn the DMT as you heat it.

Famously, it is supposed to take 3 hits to break through. Ignore this.

Mimic the breathing practice as you take your hits- holding the vapor for 10 seconds or more with each hit. It may take 1 hit, it may take 10. Keep inhaling DMT until no vapor remains or it is no longer possible to smoke.

Don’t Panic

Spirit Molecule by AyJay @ayjayart

DMT is intensely disorienting, particularly when you first enter into hyperspace.

“What you resist, persists” – struggling or fighting against the effects won’t bring you back to reality. You signed up for the ride, time to buckle your seatbelt & look out the window.

Remind yourself: no one has ever died from smoking DMT and the experience will be over in about 10 minutes.

Interact With DMT Entities

About 95% of entities are benevolent and often approach you with curiosity, surprise, and love. They often say “welcome back, where have you been?” and can speak telepathically or verbally.

This is your chance to be curious- ask them questions, interact with them, who knows what you’ll find out!

Smoking DMT is like waking up as an alien, to a room full of other aliens who are throwing you a surprise birthday party.

'It's so great to see you again!"
"Look at my gift for you!"
"We've been waiting so long for you!"
"We love you so much, you're doing great!"

— The Archaic Revival (@FatherMcKennaa) May 10, 2022

Different Entities

Hieroglyph by Harry Pack @harrypackart

There are a huge variety of entities, and essentially no limit to the different forms they take.

There are a few common types like Machine Elves, Fairies, or Jesters. Mythological and archetypal creatures from various cultures are another common type of entity. Entities vary in not only appearance but also motivations and power.

Some have the ability to create objects with their voice while others simply want to help you learn about yourself.

• A Thread on DMT entities

Dark Entities

Aya by Symbolika @symbolika_art

While rare, simply thinking about dark entities makes them more likely to appear.

They appear more often when you don’t treat DMT with respect. Seasoned travelers call these uncomfortable experiences (not always related to dark entities) being ‘hyperslapped’. If you do end up running into an entity with dark energy, focus on feelings of hope, love, and light.

Explore & Learn

Celestial Stairway by AyJay @ayjayart

Every DMT trip is different, though some people have traveled to the same places and met the same entities.

Approach each trip with curiosity, entities often have something to show or teach you. Sometimes what they show you is so complex that it can’t be explained with conventional language. You can also try to learn things on your own by traveling through different environments and not interacting with the entities.

Record Your Experience

Just like a dream, a DMT trip begins to be forgotten the moment you wake up.

Use a journal, voice recorder, digital method, or create art to begin recounting your experience. This can be valuable information for personal development or for other travelers.

Share Your Experiences

If someone had the key to alien communication, wouldn’t you want to know about it?

Share your journeys on online forums (Erowid/Reddit/DMT Nexus) and with people that you trust. The entities try so hard to communicate and have important things to share, the least you can do is to help them out a little!

My sources were personal experience and “Hyperspace Lexicon” on DMT Nexus.

Best wishes

Thanks for reading. I hope this guide helps you explore hyperspace in a safe, fun, and efficient way. DMT is a challenging yet incredibly rewarding entheogen. If you enjoyed this article, please follow me on Twitter @FatherMcKennaa

I discuss drugs, psychedelic culture, and will hopefully have another article out soon.

Also a huge thanks to the artists Harry Pack, Ayjay, & Symbolika who graciously allowed us to use their art and do a great service through their visionary artworks. Finally, thanks to John Robertson who inspired and assisted me on this article!

• Check out: How to Integrate a Difficult-to-Remember DMT Experience

Credits

The Archaic Revival 

I write about the history, culture, and use of psychedelics and other drugs. My goal is to educate others, promote safe entheogenic use & advocate for drug decriminalization and related policies.

Twitter @FatherMcKennaa

Harry Pack

My work encourages the viewer to turn their mind from the fragility of the material world and towards a contemplation of something more stable and infinite. The kaleidoscopic paintings depict a visual realm at once fantastical, foreign and strangely familiar. Three-dimensional, dream-like landscapes composed of fractal shapes and ordered geometric patterns are populated by extra-terrestrial forms: strange humanoids, anthropomorphic machines, animals and plant-life moving purposefully throughout spaces that operate as portals into the personal and psychological.

Symbolika

Fabian, the creator of Symbolika, is a graphic designer who has turned his passion for psychedelics into a unique clothing brand. As a “psychonaut”, he has explored the depths of the mind through the use of psychedelics and has drawn inspiration from his experiences to create bold and vibrant designs. He has combined his skills as a graphic designer with his love for psychedelics to create a brand that is both visually striking and spiritually meaningful. Symbolika’s clothing is a reflection of Fabian‘s personal journey and his desire to share the transformative power of psychedelics with others through his designs.

Ayjay

Ayjay is an Australian digital artist known for incorporating his psychedelic experiences into his art. His work stands out for its vivid and precise representation of the DMT experience. His art showcases the bright colors, strange entities, alien machines, and patterned surfaces characteristic of the DMT world.

The post The DMT Hyperspace Travel Guide appeared first on Maps of the Mind.

What societal forces are shaping its course?

How will this in turn affect our culture and society’s evolution?

These questions were brought to my mind recently as I finished listening to the audiobook version of The Nature Of Drugs.

The Nature of Drugs is a series of lectures from a class that legendary folk chemist cum psychedelic lore legend Alexander ‘Sasha’ Shulgin gave. It has been lovingly transcribed and put together by those wonderful folk at Synergetic Press. Through the series of lectures, Sasha details a lot of biological knowledge whilst touching upon politics and culture, and mixing in some funny and insightful personal anecdotes.

It was one of those personal anecdotes, in one of the last chapters, that got me thinking about this topic of cultural values and reward systems in regard to psychedelic work.

Sasha and his wife Ann contributed massively to the psychedelic world. They were true pioneers. Sasha was known as the ‘godfather of MDMA’, and he discovered over 200 psychedelic compounds, including 2-CB. Sasha even created his own scale for measuring the effect of a drug: the Shulgin scale.

Something that I found to be thought-provoking is that Sasha, one of the greatest figures and contributors to the modern psychedelic movement, was only able to do the depth of work that he did because he developed a drug for industrial purposes.

How Sasha Gained Freedom

Shulgin acquired the freedom to do his independent research because of a prediction he made that helped chemical corporation DOW to develop a hugely profitable insecticide. In other words, he was able to help a commercial company make tons of money out of drugs. Because of that, DOW rewarded him with free reign and the resources to do his own research. 

‘Sasha’ Shulgin – Courtesy of Wikimedia Commons

With that freedom, he was able to do the work that he really wanted to do and was passionate about: drugs of the mind. He cooked them up in his shed/lab in his back garden and tested them on himself. He was able to do his research fully legally and had a license under state law for everything he was doing. 

I think this mixing of a commercial interest with psychonautical passion illustrates something about how entangled everything we do is with commercial prospects. With big money, commercial interests, and pharma-like corporations already having entered and influenced the space, I think this is a worthy consideration. This topic was explored brilliantly in the online comic We Will Call It Pala.

What If?

What if Sasha Shulgin had never developed that insecticide? How much contribution from him would we have actually seen? Where would the psychedelic space be without his and his wife Ann’s contributions? 

To tie it into our current reality, how many potential amazing underground researchers, activists, artists, and creators are out there, who might be deprived of contributing their gifts to the world because of financial interests? Because they’re not able to make fat stacks for a big company?

How many choose paths that aren’t to their heart’s calling, because of how our society rewards and incentivizes financial profits? Or status via money? What ripples are we missing out on? What revolutionary and groundbreaking work for humanity is going unrewarded and unrealized? 

Maybe it’s the case that brilliant minds find a way to bless the world in their own ways regardless of circumstances. Perhaps if it wasn’t through an insecticide development for DOW, Shulgin would’ve discovered another way to do his work. Maybe there is some truth to that.

But what about all of us with less-than-genius philosopher-chemist minds? And what about all the big hearts? How might the world look different if we found a way to encourage and foster the ability for all of us to do work that lights up our souls?

There are a lot of questions here. And this isn’t something I pretend to have the answers on. But when we consider the type of world that we want to create, they are topics I think we should all be thinking and talking about.

.

The post How Will Our Value Systems Affect The Psychedelic Movement? appeared first on Maps of the Mind.

As I’ve wrapped up, I’ve been talking with some of the members inside to learn about their experiences. The post today is a transcription of one of those conversations.

I wanted to share this to give people an idea of what it’s like inside and for those of you who might be on the fence about joining and would like to know more.

This conversation is between myself (J), and Mark (M) – an alias- and has been edited with permission for clarity:

–

J:

So where I’d like to begin is to ask, where were you before the course versus where you are now?

M:

So I’ve probably taken the psychedelics for, we’re probably coming up on two and a half years. I’ve probably taken 15 to 18 doses of psilocybin and three doses of MDMA. All of which, the protocol and the means by which I took them was formed out of just research that I did on the internet. And while I had what I thought was a fairly good protocol, as you can imagine it was evolving over all that time.

I find now that when I look at the overall protocol after the course, I can see it’s gonna be much more structured. Considering a lot of the things that you brought up throughout the course, I look at them and say, oh, that makes sense.

Like, setting aside a specific day. I mean, those thoughts come up, but when you hear somebody else say things, it makes it a little bit more solid to you. So going into my next experience, it’s gonna be much more structured.

I think because of that, it’s going to be better because I’m a structured kind of person, it gives me a sense of comfort. I don’t know why I didn’t tie to it before, but having you lay things out from one end to the other, has allowed me to see a more complete view of it. So that’s kind of where I stand.

J:

Right. Yeah, it’s great to hear that as a structured person, you’ll bring some of that more to your psychedelic work.
What has been your biggest win or your biggest result or benefit from taking the course?

M:

I’m gonna say twofold. So one of the big wins for me is the structure and the way you laid out the modules and stepped through everything and gave me that view.

Next, I think as I look at the journaling exercises and look at the exercises that we’ve done, I have more confidence in planning my next experience.  I think having that confidence, having that control, and going into the next experience is huge.

Finally, I would say the community. The group calls and the breakout rooms, I found much more value in that than I anticipated, especially the breakout rooms. I usually don’t like that. When you first said you’re gonna do the breakout rooms? I was shaking my head saying, “no, why are we going down this path?” <laughs>

But I found them, literally, every one of them was fruitful, in one way, shape or form. So that was huge for me. Being able to talk openly within the community calls was so incredible. I don’t have anybody I can talk to about it, nobody around me, or in my sphere, is active in psychedelics. I mean, we’re talking about something that’s illegal here, so it’s not like you can have this open conversation about it. It was huge for me to be able to just talk about it openly and freely and hear other people’s experiences.

…

J:

Amazing to hear so much has sunk in for you. What was your favorite part of the course?

M:

The way you packaged and presented it. I’ve looked at some other courses before and I mean, we’ve obviously all been to courses, we’ve been to classes and learned things. To me, you provide the wisdom of experience in your knowledge that lies beyond just teaching. Beyond that it’s not delivered in an antiseptic way, or the way I would traditionally see a course. It was more like having a discussion with a wise friend that understands what you’re talking about.

You deliver and lead the course more from a caring perspective. I mean, the way you present your materials, lead the calls and facilitate the conversations, it was all delivered and created, not in a “yeah, I’m just going put this class together so you can learn the material and get through it” way.

There was caring and that’s the best way to describe it. There was care in the content that you created and the way you facilitated it. So that was super good for me. I didn’t feel like I was just in a class to just learn the material and go away, you know what I mean? Even the material done at home away from the calls, seemed to be done in a very caring way. That was huge for me too.

J:

Very much appreciate that. What would you say to somebody who’s on the fence about purchasing or joining the course?

M:

J:

Thank you for your kind words M. I’m really glad you joined. I’ve enjoyed your presence and the curiosity and sharing that you brought to the group.

–

The Conscious Psychedelic Explorer opens for registration again on the 10th of January 2023. Join the waitlist to get first access.

The post Student Interview – The Conscious Psychedelic Explorer Program appeared first on Maps of the Mind.

Punk.

Punk music?

Absolutely.

But more relevant to my psychedelic work; punk ethos.

Punk and its associated ideas have played a huge part in my growing up, my identity, and the person I’ve become. A lot of the values I hold are also shared by punk as a movement.

If you think punk is all about people getting angry and shouting “fuck the system”, I’d like to show you that there is much more.

Here are some crossovers between punk and psychedelics.

Non-conformity

Punk challenges conformity. It challenges the norms of society. In a world where we’re burning our own house down, where corruption and inequality are rife, I think it’s a good time for us to challenge a few social and cultural norms.

If I conformed to the rules of the world, and the laws set in place by governments, I never would’ve started on my psychedelic journey. I never would’ve been able to receive these beautiful, wonderful, and healing experiences.

I never would’ve become able to help others on their psychedelic journeys either.

“One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. Any law that uplifts human personality is just. Any law that degrades human personality is unjust.”
– Dr Martin Luther King

Anti-Authoritarianism

Punk as a movement is anti-authority. It allows people to form their own beliefs rather than being handed them by people who are in positions, or supposed positions, of authority. Punk encourages you to question authority.

Do you believe what you believe because this belief has been passed on to you? Or have you come to this conclusion yourself through your own reasoning, agency, and experience? Punk encourages us to become our own authority and to discover truth for ourselves. 

Psychedelics encourage us to find our own truths too. They help us to face truths, sometimes they will reveal them even if they’re f-ing uncomfortable.

Emotional Expression

As a genre of music, punk is pretty expressive.

Punk doesn’t repress. Punk lets it out and lets it rip.

And psychedelics encourage this in us too. Psychedelics do not reward suppression or repression of our deeply held emotions or beliefs. In fact, they punish them. They will often squeeze them out of us. Even those which may seem to be pretty full-on.

Some say punk is all about needless anger, for me it’s about standing up for what you believe in and being honest with yourself about things that you’re not cool with. It’s about not having your boundaries crossed.

As Pema Chödrön says, there is compassion, and then there is idiot compassion:

“For example, trying to smooth everything out to avoid confrontation, not to rock the boat, is not what’s meant by compassion or patience. It’s what is meant by control. Then you are not trying to step into unknown territory, to find yourself more naked with less protection and therefore more in contact with reality. Instead, you use the idiot forms of compassion and so forth just to get ground.”

Psychedelics encourage acceptance, but likewise, there is acceptance and then there is idiot acceptance. Idiot acceptance is pretending we’re OK with things and that it’s all love and roses when it’s not, it’s being soft when we actually need to draw a line.

DIY

Finally, something that comes from the punk movement but for me is very relevant to my psychedelic practice is the DIY ethic. With various organizations looking to establish themselves as gatekeepers in the psychedelic space I think this is becoming more and more important.

DIY as a subculture was brought forward by the punk movement of the 1970s.

Punks would release their own music on self-funded record labels, create and publish their own books and zines, put on their own shows, and book their own tours – without relying on an external source of authority or permission. Artists like Black Flag were trailblazers in the movement of underground do-it-yourself record labels within the subculture, exemplary in their tireless promotion of an autonomous DIY punk ethic and aesthetic.

Before the technological advances of the last few decades, this was a huge deal.  

This ethic is something that informs my own psychedelic practice. I learned to DIY with psychedelics. I learned to journey solo and self-organize sessions with friends. Without therapists or guides. 

And man I’m so glad I did. I love helping others to learn to DIY and self-organize, and I want to help you learn to DIY and self-organize. Because like punk I believe in the decentralization of power. I believe in the dissolution of the old systems that have led to this breaking point we stand as a species, as a global society. 

I also love jumping around to some fast pumping riffs and jumping off the stage for a cheeky little crowd surf from time to time. Try it out, it’s hella fun.

The post Punk Ethos & Psychedelic Practice appeared first on Maps of the Mind.

Overall, beautiful. Helping others to work with psychedelics for learning and growing is something I find truly meaningful.

We had an amazing group come together with 10 members joining for this round. Now the dust has settled, I thought I’d share a few thoughts on this group, and my plans for the next cohort in January.

Diverse Group

We had a diverse group, which I always enjoy. We had members in France, Germany, Canada, Mexico, the US, and the UK. Love the international vibe. To my surprise, even two members of the group had no experience with any of the classic psychedelics, only plans and a desire for extra support and education before the first liftoff. A couple more were also new on the path of conscious use. 

Originally I built this course for intermediate explorers, but I did adapt it a little this time around and make it more beginner friendly, making sure to cover all the basics. The upshot of this is that there is something for everyone and a more mixed group, some who’ve lots of experience alongside newcomers.

The newcomers keep it fresh, help to remind us all of the fundamentals and key principles, and connect us to the beginner’s mind. The experienced members offer their experience, knowledge, and resources. That is something that I love about the mix. 

Community is a bit of a trite word these days but the wisdom and energy of a group really do contribute more than the individuals inside. Although I am facilitating the process and organizing, I do see that the group takes on a life of its own, becoming something of its own entity.

Camaraderie And Connection

What I also love is that the community sparks connections. I loved seeing friendships bloom. It has been great to hear that other members have been chatting with each other, or even better, planning ceremonies. It’s cool to get updates from people before and after their experiences and to see the support from other members. 

On our final call, we had the chance to get a bit sentimental and misty, and many members remarked how the depth of connection with others was a surprise. One mentioned how they joined the course hoping to gain a technical understanding of how to organize psychedelic sessions, but received personal insights by way of the group. We had space for sincerity and openness to challenges and doubts, and also for fun and laughs.

Offshoots

We had a couple of offshoots from this group. One was a Psychedelic Film Club. We made a separate Signal group and shared film recommendations, and had some discussions there. A few members went deep on this, having their own “psychedelic film festival” and plowing through a bunch of films and doing their own deep dive. Very cool. I joined in for a couple, a screening of Aware: Glimpses Of Consciousness, which we watched at the same time, and joining a pre-and post-screening zoom call for a chat with other members. The other was watching a new personal fave Descending the Mountain. It has been a movie I’ve been wanting to see for years, so it was great to have a free and legit viewing sourced by one of our members and the group energy impetus to set aside the time even in a busy period.

As another side quest, I invited all members to join me in a daily awareness/mindful practice for 30 days on week 2. This coincided with week 2’s lesson on awareness, one of the lessons in the first module on foundations for working with psychedelics.

When the 30 days were up, one of the members suggested we keep it going for another 30 days, so we’re currently continuing with that, with a post and update in the Signal group each day. I like sharing and supporting others in meditation practice, so this is something I’ll definitely invite from future cohorts.

Embers

Ultimately I’d like to build something that outlasts me, that stands on its own, something that would just continue if I disappeared. And whilst this small community isn’t there yet, I see the embers of something great. So I’ve decided to reopen the course for another 10 members in January.

I like this group size, its small enough to keep intimate and give all members a chance to get to know each other, but large enough to have some group energy and diversity.

Registration will be open for one week from the 10th – 17th January. The course will begin with the first live call on the 19th.

If you’re interested, I encourage you to join the waitlist here for early access.

What’s Inside CPE in 2023

Beyond the 6 weeks, I will be offering a whole bunch of extras throughout 2023 for all new course members.

We will have monthly community calls for all course alumni, and I’m quite excited to see members new and old mixing.

I’ll also be offering quarterly workshops. The first, Music, Playlists, and the Art of Listening in Psychedelic Sessions, is already on the calendar for February 5th. These workshops will be included for CPE members, but I will also open them to others who’d like to join in the fun.

We will also have a bunch of guest classes, experiences, and calls.

This includes a neuroscience class from Manesh Girn, a live deep listening session with Wavepaths & founder Mendel Kaelen, a look into psychedelic facilitated nature connection with Dr Sam Gandy, a research overview and Q&A with Floris from Blossom, and a few others to be confirmed. These classes themselves could be a course and I’m excited to learn from these experts alongside the community.

If you want 2023 to be the year where you go pro in your knowledge and practice with psychedelics, this is an amazing opportunity. It’s a course with basically an added one-year membership to a club with expert classes, community calls, and quarterly workshops.

What’s On For You in 2023?

To close on a year’s end theme, I’d like to invite you to consider, what are your goals for 2023? What are your hopes, dreams, and aspirations? What would, if accomplished or experienced by year’s end, would make the year a meaningful one for you?

If it’s anything to do with psychedelics, come join us in the CPE!

.

The post CPE Cohort #2 Review and #3 Preview appeared first on Maps of the Mind.

Stillness.
Movement.

These are the four modules that make up the high-dose journey arc and outline, as proposed in the Psilo Psolo Journey Manual, from Psoirée founder Ray Christian.

I recently connected with Ray over our shared love of high-dose solo sessions, and being the idea nerd that I am, today I wanted to give a quick outline and share this framework. Let’s take a look…

Four Modules

Ray outlines four modules for a high-dose trip. They go like this:

Module 1: Pre-trip
Movement

Module 2: Liftoff
Stillness

Module 3: Cruising Altitude
Stillness

Module 4: Landing:
Movement

The idea is that physicality has a powerful impact on the journey. So it’s good to toggle between both movement and stillness. Although movement and stillness both repeat, each one is different. Here’s a closer look at each of the modules (M):

The post Movement & Stillness – Modules for High Dose Psilocybin Journeys appeared first on Maps of the Mind.