Many people will tell you that it can. And not only that, but that it has already changed theirs.

Most people who know me know that I typically expound the benefits of larger doses, but I always like an experiment, and if that experiment includes psychedelics, even better. So I thought I’d give it a fresh go, and I recently finished a month of microdosing psilocybin.

In this post, I’m going to share a report of my experience. I’ll also share my protocol, how I incorporated it into my routine, and overall what I experienced during the month, including positives and negatives.

Let’s dive in.

My Motivation and Previous Microdosing Experience

Honestly, I didn’t have a specific intention for the microdosing month. The experiment came about because I wanted to incorporate taking Lion’s Mane mushrooms into my routine (a mushroom touted for a whole host of health benefits). Lion’s mane are regularly taken with psilocybin as part of the now fairly well known ‘Stamets Stack’. So I thought ‘why not give it a go’?

I’ve done microdosing experiments before with LSD to positive results. I’ve also experimented before with micro and low doses of psilocybin, but never consistently or on any kind of regimen.

As the results of microdosing are subtle, it’s hard to pinpoint what’s working exactly. And so far, there is no solid science that tells us that microdosing is more than a placebo.

That said, there is a whole, whole lot of anecdotal evidence that reports on the positives.

The best way to find out if something works for you is to try it yourself.

So, that’s what I did.

My Protocol

Here’s a high-level look at how I conducted the microdosing experiment. I’ll go into more detail on each below.

• 5 days on, 2 days off
• Taken in the mornings with mushroom coffee (including lion’s mane, chaga, and cordyceps)
• Part of my morning routine
• Kept a log

5 days on, 2 days off

I dosed Monday – Friday and took weekends off. This is the pattern of famed mycologist Paul Stamets’ microdosing protocol I mentioned before. The main difference is that I didn’t take niacin, where Stamets’ recommends this. I typically work Mon-Fri so this fit in with my working schedule.

Served With Morning Mushroom Coffee

I incorporated my microdosing into my morning routine. Y’all know I love a good morning routine.

My morning routine for this period was:
– 3-5km run
– Shower
– 10 minutes Box Breathing
– Smoothie
– Microdose Mushroom Coffee whilst reading
– Start work

I would weigh out my dried and ground mushroom dose the night before and put it in a mug with a teaspoon of mushroom coffee. I’d cover the mug and leave it on my sideboard so it would be waiting for me the next day.

I used Mushies mushroom coffee. On weekends when I wasn’t microdosing psilocybin, I still took lion’s mane by way of their capsules and extract tincture.

Keeping a Log

I kept a log during the period. Y’all also know I like to keep drug logs.

I made a makeshift table in my bullet journal with columns for:

• Day and date
• Dose
• Strain
• Time taken
• Notes on the experience (with timestamps where relevant).

Notes on the experience included anything that seemed notable, and if nothing, just a few words about how I felt the day went. This included things like ‘good mood’, ‘productive day’, ‘tingling sensations’ etc. I included timestamps where they seemed relevant, like ‘tingling sensations’, so I could see how long after taking the dose I felt them.

Days 1-4: Finding The Dose

I generally have a higher-than-average tolerance for psilocybin, so I started with a decent dose of 0.3 grams of JMF psilocybin mushrooms.

I planned my first microdose day on a day when I had flexibility regarding my work schedule, just in case it was a bit high.

It was a good idea. I felt a slight tingling even before I had finished my coffee and thought ‘hmmm’. I then noticed the floor moving on a bathroom break not long after.

I knew that I’d taken more than a microdose and wouldn’t get much of the work I’d planned done, so I got comfortable, lay down, and put some music on my headphones. I did find it annoying as I had work I wanted to do, but there was nothing for it.

It wasn’t a real trip (basically level 1.5), so nothing major to report on. I just lay there listening to music. It was light enough that once it worn off, I was able to work in the afternoon.

The next day I scaled right down to 0.03g. I didn’t want to have to skip work again! It was a productive day.

On the third day I went up to 0.04g and reached a threshold experience. I was surprised that I could feel something from so low a dose, but it was unmistakable.  I could feel tingling sensations through my body, a slight sense of discomfort, and I needed to pee more often (which I’d experienced on threshold doses of LSD).

On day four I went down to 0.03g and had a good day, so I settled on this for the rest of the month.

My Experience

Positives: Good mood, positive, productive, focused

Overall, I had a good month. Most days I have notes which read ‘good mood’, ‘productive’, ‘positive’ and ‘good focus’, or some combination of those words.

To sum it up I would say I experienced good focus, good mood, general feeling of being upbeat and positive, and forward flowing with motion.

Microdosing by its very nature is very subtle, so it’s hard to say if I would’ve felt like this anyway, but regardless, those are the results. In general, I’d say these are typical of my days, but maybe not quite as noticeably. A friend of mine says he notices his microdose days more towards the end of the day when he reflects back and thinks ‘that was a good day’. So it could be something like that.

This fits in with a lot of the anecdotal reports and the general gist of Ayelet Waldman’s microdosing memoir: ‘A Really Good Day’, if not as radical.

On a smaller note, I also found it easier to make good decisions on a small level, such as making healthy food choices when shopping in the supermarket. That connecting-to-the-big-picture psychedelic effect.

Negatives: Anxiety

I did experience some unwelcome anxiety on two of the days.

One was on a travel day at the end of the month when my train was delayed multiple times as I was heading to the airport. I got fidgety and worried I might miss my flight.

Whilst this is understandable, I would say that I don’t usually feel this level of anxiety in this situation. I would guess that without any dose, I would’ve been more composed. This time, I did some box breathing via a guided audio on my phone which helped cool me down, if only a little.

There was another morning when I read an email that a payment processor was closing my account because of the nature of my business. I don’t normally go into my inbox in the mornings but I needed to get something out of there and the email caught my attention.

As I already had money sitting in that processor’s account, I found this stressful and worrying as I wasn’t sure if this would cause complications with getting said money out. It derailed my morning a bit and put me a bit out of whack.

Again, this would normally be stressful but I think the microdose intensified this. I was actually sweating! I’m not uber cool but I don’t think that would be my reaction on a normal day. It was only a few hundred bucks, not a huge sum.

Aside from my first days when finding my dose, these were my only two negative experiences in the month.

Final Thoughts

My conclusion from this month is that microdoses of psilocybin can intensify my present mood.

If I’m focused and positive, more so. If I’m anxious or worried, more so.

This fits in with psychedelics’ effect of state amplification, though I do find it surprising this happened on so low of a dose. It might have been due to a build-up of subtle effects over the month.

Overall it was a positive month. Even if it was nothing I would personally call groundbreaking, I have continued to microdose on carefully selected days in the meantime.

I would like to add that people experience microdosing very differently. A lot of people report that it lowers anxiety, or helps with depression. Or any other host of effects. This is just one man’s report.

If you’re curious, I would say, try it for yourself!

–

If you’re looking for a good source of mushrooms, I can recommend Mushies. I really enjoy their mushroom coffee!
Use code MAPS for 10% off!

The post One Month Microdosing Psilocybin: My Report appeared first on Maps of the Mind.

MDMA can help bring about a more relaxed, open-hearted space, which is an ideal state, or set, to enter a psilocybin journey.

There are a few members inside our The Conscious Psychedelic Explorer community who have tried this combination and it has been giving pretty good results, so I thought I’d write about it as part of MDMA month on the blog.

In this blog post, I’ll cover the potential benefits of this combination and offer suggestions on dosages and timings, as well as share some experience from members of the community and myself.

Benefits of Combining MDMA and Psilocybin

I first heard about this combination given serious credence in the book Psychedelic Psychotherapy by Coleman. An excellent read, which I highly recommend btw.

Coleman mentions that leading with a dose of MDMA before a psilocybin journey can help ‘soften the entrance’. The general positive atmosphere and reduced fear response that MDMA provides can set the perfect stage for entering a psilocybin experience, where darker material may arise from deep in our psyches. This allows us to be more open to such experiences.

As such, this combination can be helpful for working through traumatic material or engaging in shadow work.

Safety Considerations

Combining MDMA and psilocybin is generally well-tolerated and if you’re not contraindicated for either, the combo is as safe as taking each substance individually. If you’re clear to take both and in general good health, the main thing is to be psychologically prepared as these can be intense and challenging experiences.

It’s advisable to try and sample batches of each substance before embarking on a significant journey. Potency can vary between batches. As always, remember to prepare your setting carefully and cautiously.

As usual, follow standard best practices for MDMA.

Dosages and Recommendations

Prevailing advice online suggests starting with lower doses of each substance because of the synergistic effect of combining.

However, I’d say it depends on your level of experience and your intentions for the session.

For experienced psychonauts going for a psychedelic therapy style session, for example, I think closer to a standard dose of both can be considered. For example, if your standard for MDMA is 120 mg, then 110 mg. Because if you’re taking MDMA, you want it to work its magic.

If you’re new to psychedelics but have experience with MDMA, I would suggest starting with a standard dose of MDMA and a conservative dose of psilocybin, equivalent to the level of experience you’re after (mini/low/medium/high dose), with an option for a psilocybin booster.

If you’ve tried psilocybin but not MDMA, I’d suggest starting with a conservative dose of MDMA, and considering a booster. Then, when you reach a point with the MDMA where you feel ready to dive into more psychedelic waters, then dose the psilocybin.

One final consideration is that whilst you might fast before a psilocybin journey, you might not want to do this before a session with MDMA as it could potentially result in stomach cramping.

Timing Options

There are a few different ways you might time your dosing. Here are a couple you might consider.

1. MDMA ~70 minutes before Psilocybin

The standard recommendation for timing I would offer is the one Coleman offers in Psychedelic Psychotherapy.

This means dosing the MDMA approximately 70 minutes before the psilocybin. This is so that the journeyer can utilise the effects of the MDMA to have a softer entry into the psilocybin experience.

An alternative to this is to dose MDMA first and then, once you are feeling the effects, dose psilocybin. This ensures that you are in the MDMA space for the entirety of the come-up and entry into the psilocybin space.

One thing to note is that the effects of MDMA last a shorter time than psilocybin. (3-5 hours compared to the 4-6 of psilocybin). So this combined with the fact you’re dosing MDMA earlier will mean that the MDMA will wear off before the psilocybin, and the later part of your psilocybin will be without the MDMA.

I think this is fine as typically the most challenging part of the psilocybin experience is the coming up, and the first one to two hours. Typically the most challenging or pressing material to be negotiated will arise here so that’s where the MDMA’s effects will be most appreciated.

However, if you would prefer the MDMA for the whole psilocybin experience, you can take a booster dose of MDMA to extend it. The standard is half the initial dose ~90 minutes after. You might like to pre-weigh that booster dose, have it ready, and set a timer just to make it easier to navigate during the middle of your trip.

However, if you would like them to last the same generation at the same time you can dose the take a booster dose of MDMA at some point. You might like to send you the 

2. MDMA ~20 minutes before psilocybin

Another option, recently suggested by a colleague, is to take MDMA first and then psilocybin about 20 minutes later.

Due to the differences in onset time, both substances’ effects will hit you at once, with both peaks hitting at the same time. 

The come-up will be more intense and I wouldn’t recommend this to novices. However, one upside I have heard from this approach is that there’s less opportunity for you to be stuck in your head. The journey just gets underway and takes you in.

So if you find that you have a tendency to be a bit stuck in your head or find it difficult to when you’re waiting for the effects of substances to kick in, this might be suitable for you. It might also be useful if you find it difficult to let go and fully immerse yourself in the experience. This way is equivalent to jumping into the deep end of the experience. I’d recommend considering a sitter for this option.

Other Timing Options

The other options are then taking both at the same time, or taking the psilocybin first, and then the MDMA later. 

Taking Both Simultaneously

Taking both at the same time means that the psilocybin will likely start slightly before the MDMA, which I don’t really see any point in. One upside, however, is that it’s easy and straightforward. You just take everything and then wait. No synchronizing timings, no clocks needed. As one of my friends calls this no-nonsense approach: ‘JBI’ – ‘Just Bosh It’.

Psilocybin Before MDMA

The final option of course is taking the psilocybin first and then taking the MDMA later. I don’t really have any experience of this myself or from people that I know so I’m not gonna comment on it or recommend it here. 

Experiences from the Community

This approach has been experimented with by a few members of The Conscious Psychedelic Explorer community, as I mentioned before. They have reported that taking MDMA before embarking on the psilocybin experience helps them feel more clear and connected to the heart center.

Here are a few comments:

“I feel the combination really helped me surrender to my experience. I encountered some really hard and traumatic past experiences in my journey and I think the MDMA opened and softened my heart allowing me to resolve these things from a place of forgiveness and not judgment or guilt or shame. […] I noticed my heart rate pick up with the MDMA, and just reminded myself to relax and focus on my breathing.”

“I have tried that combination with good results. MDMA is a gentle way into the shrooms (less turbulence perhaps) and then, you don’t get the rough comedown from MDMA because you are still high on the psilocybin”

“I definitely came in a state of focus, calm and readiness. As for me both substances kicked in together (peak) it was overwhelming but mystical.”

My Experience

This combination is not one I have experimented with much personally. I have found it pleasant on the couple of occasions that I have done it, and they were helpful. I followed the Coleman timing on dosing, which I found to work well and ease the entry as planned.

However, I have had more experience combining MDMA with LSD. Probably the first five or six times I took LSD, they were all combined with MDMA. In my research and preparation for those experiences, I read online that taking MDMA first can be a good idea as it helps to get you into a positive mindset and a positive state, which is a good place to enter the psychedelic journey from. So, in that respect, a lot of the same principles apply. And I have to say, it worked very well. I remember being with friends and getting into a good space with the MDMA first. Then, there would come a point where I felt ready for the LSD, feeling good and prepared, and then we would dive in.

Because of the success of the initial session, that approach actually became my modus operandi for my first year of psychedelic explorations. Those experiences were formative, mind-expanding, and treasured moments. It wasn’t until about a year into my psychedelic explorations that I actually journeyed with LSD alone.

However, I believe those early experiences helped me build a solid relationship with psychedelics, providing positive first encounters and setting the stage well for future experiences. Of course, it was always combined with a good set and setting—I was in safe, private spaces with close friends.

Final Thoughts

I hope this post is helpful, informative, or useful in some way. If you’re considering hippie flipping, then as usual, take good care, factor in your setting, and follow a solid preparation. Feel free to reach out if you have any questions.

Best of luck out there.

The post Combining MDMA and Psilocybin: A Guide to Enhance Your Journey appeared first on Maps of the Mind.

Stillness.
Movement.

These are the four modules that make up the high-dose journey arc and outline, as proposed in the Psilo Psolo Journey Manual, from Psoirée founder Ray Christian.

I recently connected with Ray over our shared love of high-dose solo sessions, and being the idea nerd that I am, today I wanted to give a quick outline and share this framework. Let’s take a look…

Four Modules

Ray outlines four modules for a high-dose trip. They go like this:

Module 1: Pre-trip
Movement

Module 2: Liftoff
Stillness

Module 3: Cruising Altitude
Stillness

Module 4: Landing:
Movement

The idea is that physicality has a powerful impact on the journey. So it’s good to toggle between both movement and stillness. Although movement and stillness both repeat, each one is different. Here’s a closer look at each of the modules (M):

The post Movement & Stillness – Modules for High Dose Psilocybin Journeys appeared first on Maps of the Mind.

This is a question I am often asked. And of course, there is no single right answer. So instead of trying to give one, I’ll share my thoughts on the topic.

What is the right amount?

You can’t really put a number such as ‘x times per year or month’ and say ‘that’s the right amount’, because it totally depends on the person and their circumstances. It’s like asking ‘what’s the right dose?’. It can’t simply be answered in any meaningful way. It depends.

It depends on you, your intentions, and your current circumstances. Why are you taking psychedelics? Where are you at in your journey, and where do you want to go next?

If using psychedelics for recreation or leisure, it’s like asking ‘how often should I watch a movie?’. With the intention of using psychedelics for healing or growth, there still isn’t a set answer. For many people, it seems like once or twice a year is enough to gain valuable insights and allow time in between to integrate the lessons. For others, a more frequent pattern may be most beneficial. I’ve also heard of people saying that once in their lifetime was enough.

Frequency varies depending on culture

There is a variety of frequencies in different cultures and types of use around the world. This ranges from modern clinical use to more traditional shamanistic use.

Within the field of modern research and clinical trials, there is variation. In a study with people who suffered treatment resistant depression at Imperial College London, participants received two doses a week apart. From just two doses, most participants saw statistically significant improvement in their wellbeing. That said, many patients saw depressive symptoms beginning to return after six months, so it seems they could’ve benefitted from another session or two around this mark.

In various smoking cessation studies at Johns Hopkins University there have been between one and three doses given. People have successfully quit with one session, whilst others had three. It is noteable that quit rates were higher for people who had more than one than one session.

With shaman of various Amazonian traditions, people drink ayahuasca on multiple consecutive nights, or on alternating nights. So it might be three or four nights of drinking ayahuasca in a row, or six nights of drinking over twelve nights total. There are also variations between. In some religious communities or churches that use psychedelic plants, groups drink monthly or weekly.

Philosophy professor Christopher Bache did 73 high dose sessions over 20 years, and as far as I know, no one in the psychedelic community has said it’s too much. In fact, he is seen by many as a courageous explorer and his work an incredible contribution to the field. He is a special case and was extremely conscientious in his use, I should add.

This variety shows that there is not really any standard which could be said ‘this is the right way’.

Can you take psychedelics too often?

When I would say taking psychedelics is too much is, the same as any other activity, when it starts interfering with one’s life in a negative way. When the downsides outweigh the upsides.

Gabor Mate’s view of an addiction can be useful here:

A behaviour which provides temporary pleasure or relief in the short term but has negative outcomes in the long term.

For some, psychedelics might be used as an escape from reality, or to avoid dealing with one’s problems. This can be known as spiritual bypassing. If one is re-entering journey space before or instead of integrating the lessons from the last journey, this could be seen as too soon.

However, I’d say that one’s problems can be shoved back in one’s face on a journey, so it’s not always an easy escape. In fact, for that reason, not taking psychedelics could be seen as an escape.

Is there a minimum frequency?

No one can say that someone should be taking psychedelics at least x amount of times per month or year. Although with medicalisation on the way, perhaps doctors or pharmacists will in fact be prescribing them in this way.

‘Go for three psilocybin journeys per month over the next 12 months and then we’ll meet back and reassess your treatment plan. If you feel you need a recalibration of your dose just give me a call and we’ll set up another consultation.”

I can see it already. But anyway, I digress.

Psychedelics can show us things that we are afraid to see and therefore unconsciously avoiding. Avoidance is no long term tactic to resolution, so for those that psychedelics have shown to be a useful tool for inner exploration and therapeutic shadow work, then there could be cases where it could be argued that someone should take them more often than they currently are.

The best amount and frequency is one that will bring the most healing over the long term. Knowing exactly what that is is difficult. We like to have answers or steady plans we can follow, but in the case of psychedelics, it can’t be pinned down as such. It needs our own continued consideration and adjustment, as well as our honesty. It also depends on the doses we are taking.

When should I pick up the phone again?

You’ve probably heard the Alan Watts quote, ’When you get the message, hang up the phone’. This has been commonly interpreted to mean ‘don’t trip too often’. Once you have some useful information, act on it before seeking more. What I would add to that is, feel free to pick up the phone again to get a reminder of the message.

Oftentimes a psychedelic journey will make absolutely clear an insight to be acted on. Good progress can be made on integrating that insight in the weeks directly after whilst the insight is fresh. As time passes, however, the clarity and raw obviousness of that insight may fade. And though the insight may not have been 100% integrated yet, touching back in with ourselves on a journey can be a refreshing reminder. If meaningful change has been made, space will have been cleared in our psyche for other useful messages, insights, and ideas to pour in. Integration is a life long journey and our lives are imperfect, so aiming to have integration of an experience totally complete before journeying again can be unrealistic.

The common interpretation of Watts’ quote also doesn’t consider the question of what ‘the message’ is, or if there are different levels of understanding the message. Or even, if there are multiple messages to be received.

Final Thoughts

I see the advice that ‘one should not journey too often’ commonly put out there, yet most of the people I know in the psychedelic community have ample experience and have journeyed dozens of times themselves.

In general I think there are many people could stand to benefit from more psychedelics sessions, rather than fewer. This is almost something of a faux-pas to say these days, but it’s what I believe, so I’m saying it. That is why the thoughts I have shared here have leaned towards illustrating this viewpoint, and not going into the dangers of overuse, which of course absolutely do exist. I should also make clear that I am talking about respectful, intentional, and careful use, done with the intention of learning or growth. And also that if insights are revealed, one should invest ample time and energy in to integrating them as best they can.

If we consider psychedelics to be teachers that allow us to access wisdom, what is wrong with visiting that teacher? Sure, you do not want to spend your whole life with that teacher, never stepping out of the classroom to practice your lessons. But likewise, you’d want to attend lessons to make the most of the wisdom they have to offer.

.

This post was day 20 of PSYJuly 2021.

The post How Often Should You Take Psychedelics? appeared first on Maps of the Mind.

Welcome to PSYJuly day 17
Today we have a guest post from Max, AKA Welsh Integration Circle, one of my favourite people in the psychedelic twitterverse.

After seeing his work creating playlists (1, 2) for members of his community, I invited him to create a post to share his experience on a topic I feel there is ample room for discovery and development in the psychedelic space: music. More specifically, playlists for inner style journeys. Over to Max…

Creating Music Playlists for Psychedelic Journeys

There are infinite ways to use psychedelics. Nobody can tell you how you should use them, but as you move through life and gain experience your psychedelic use may evolve. Many of us start off in our youth: at home, in the park, at a festival or a concert.

One thing that you can say about the way people use psychedelics is that it frequently involves music. Psychedelics and music go together like Fish and Chips or Superman and Lois Lane. The altered state of consciousness that psychedelics induce, amplifies, enhances and transforms music into a completely new experience. Some people can even smell or see colours from music in the phenomenon known as synaesthesia. Music is not only heightened by psychedelics, but it can influence the entire atmosphere and mood of those under the influence.

There are many discussions online regarding the best tunes to trip to. You can guarantee that any of these will include the likes of Pink Floyd, The Grateful Dead, Hendrix, Phish, Shpongle or The Orb. Now these are great artists who were heavily influenced by psychedelics and aimed at an audience who might use them too, but this article is about creating personalised playlists that won’t include these artists or styles and the music is used in a different way.

Music, set and setting

We’ve all heard the phrase “Set and Setting” so many times that it has become a cliché, but it is still undeniably relevant. Al Hubbard was a psychedelic pioneer, who in the 1950’s, helped develop the idea that the setting could have a major influence on the psychedelic experience and even the outcomes in a therapeutic context. According to his instructions, the person taking the psychedelic lies down in a comfortable place, like a bed or sofa, puts on some eyeshades to block out all light and a pair of earphones to listen to the music. The idea is that by blocking out all other sensory input, one is directed to focus the attention inwards and be guided by the music. In combination with advice like Bill Richards’ mantra of “Trust, let go, be open”, one is encouraged to allow one’s mind in its altered state of consciousness to go wherever the music takes it. This is essentially the same format used by today’s trials at Imperial College and Johns Hopkins, and was recently the subject of a patent application by Compass Pathways, much to the anger of many a psychonaut.

First of all, ask yourself why you would consider this style of psychedelic experience. It may not be for everyone, but if you have only ever taken psychedelics recreationally, at a festival or party, then give it some consideration. It amplifies the effects and is particularly suitable for people who want to use psychedelics for personal or spiritual development, to address difficult life experiences, to change your life with regard to alcohol, tobacco or other drugs or just learn more about yourself and your consciousness. It’s also wise to have a sober tripsitter for these experiences, just someone being there will allow you to immerse deeper into your inner journey.

Now you could just pick one of many playlists on Spotify or other music providers that have been created, including the original Bill Richards playlist and those used by MAPS, Imperial and Hopkins, but I think it’s more interesting to create your own, although they can give you some good inspirations for your playlist.

So with this in mind, let’s explore the how and why of crafting a playlist.

Crafting a playlist

The aim is to relax the subject while the medicine starts to work, then to take them on a journey of inner experience which fits with their intention and their life story. The more you know about the person the better. The more you know about their music tastes, favourite movies, travels and previous psychedelic experiences, the more you can choose suitable tunes to guide them.

The first things to consider are what substance and dose are going to be used. If using LSD you will need more than 2 hours of music, but it’s unlikely that someone is going to lie still for 12 hours. For psilocybin I tend to aim for 5 hours’ worth of music. 

Use instrumental music, this allows the journeyer to focus on the sounds, rhythms and melodies, without the distraction of language. Foreign languages are fine, especially if they include chanting – non-lyrical singing also works well. I tend to avoid typical bands that have the usual pop, rock or jazz sound. Classical music can be excellent, but some people may not be used to listening to classical, so choosing a piece that is interesting is important. Electronic music can play a huge role with unusual sounds that can have dramatic effects while under the influence, but I tend to avoid dance music that one would hear at a club or rave and stick to more ambient styles. There is also great crossover between classical and electronic, sometimes called neo-classical, which includes some of my favourite artists like Max Richter, Nils Frahm and Joep Beving.

Beware of using too many floaty, unstructured tracks. As Michael Pollan explained in How to Change Your Mind, he had to listen to a lot of boring yoga and new age music for his journeys, and this is why personalised playlists can be more stimulating than generic ones.

Having said that, music that is less busy can have profound effects, as can silence. If you have ever tried meditation under the influence, you’ll know that it can be very powerful, and silence or empty tracks can provide a similar space. They can also be useful to contrast with other more energetic or dramatic tunes. It’s important not to overwhelm someone with too much noise for too long, and if you do choose tracks with drama, intensity and tension, it’s important to give them release as well. The order of the tracks can be very important, and I also insert some silent tracks of up to a minute long at crucial moments to build tension and atmosphere before a special piece, or after a particularly challenging one.

I tend to start off with some very light, relaxed music while taking the medicine and allowing it to take effect, and then slowly build the complexity and intensity of the tracks towards the end of the first hour. Knowing how long it might take your listener to start feeling the effects will help you plan.

Personalising playlists

Discover what kind of music the journeyer likes. Are they up for more complex and difficult tracks? Or are they very anxious and prefer gentler tunes and familiar styles? Try to imagine when the peak might be, and think about what kinds of atmosphere and feelings you are trying to evoke.

I also use my knowledge of them to add highly personalised music. One friend has Native American heritage which is important to them and they have partaken in ceremonies before. I added a short piece of pow wow chanting which had a very dramatic effect and still does to this day. The experiences that people have during their journeys become strongly associated with the music, so that they often listen to their playlists in the weeks after and have strong emotional connections to certain tracks for years to come.

Foreign music is also a great place to look. You can create a great atmosphere, transporting someone to a place of previous travels or residence, and help to bring up some of the memories and emotions from that period of their life. However, one should be aware not to overly manipulate someone’s emotions and journey. 

If they are very knowledgeable about a certain style that is relevant to their life or ancestry, choosing a track that is not stereotyping them or the music could be a challenge. Many cultures have beautiful and diverse music which is very different to Western styles and on my playlists I have used classical Indian, west African, South American icaros, Tibetan chanting, Mongolian and Armenian music, all with great effect. 

You can use music from important films from their life. Film soundtracks make great fodder for playlists and I have included tunes from Bladerunner, Black Hawk Down, Ad Astra, Twin Peaks and even Star Wars or The Omen. I’ve also asked their friends and family to give me some tips on favourite music and experiences. This needs to be done cautiously as not everyone can afford to be open about their psychedelic use, but music choice can be asked about in tactful ways.

I have given journeyers the option of a particular one or two tunes that they really want to hear on their playlist, and I ask why. Having listened to the tracks myself, I interpret how it might make them feel and decide on where in their journey it should appear and how to lead into it and follow on. Having a few key tunes as marker points in the playlist provides a structure to build the playlist around and helps you navigate what can become a tense and frantic process. It always feels like a big responsibility, knowing that the playlist is going to have a significant effect on their experience. The music truly drives the entire inner experience.

Collecting and Test Driving Tunes

To select tunes, I find that using cannabis whilst listening to music is a great way to get a sense of which tunes will be interesting during a journey. I tend to put them in a depositary playlist in the weeks before, so whenever I hear a tune I want to use, I have easy access to it when it comes to the final creation. Once you have selected all your tunes then ordering and editing can still take a long time. I often listen to the end of a track to try and work out how the transition between it and the next tune will work, to get it as smooth as possible and so that it isn’t a jarring change. A very soft and gentle track, silence, or some sounds of nature like cicadas or rain can also be a good way to give them some space between.

Try to let people relax into longer tunes, but perhaps not so long it gets boring. A variety of styles, pace and intensity is good and challenging them with unusual styles and sounds can provide opportunities for the imagination to run wild. Rhythmic tunes can be dramatic, and driving intense visuals, this is a perfect use of electronic music like some Steve Roach tracks, and artists like Philip Glass and Estas Tonne can create similar effects. 

Know your audience, their tastes and their level of challenge, and have some fun making a personalised psychedelic playlist for your friends and community.

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About Max

Max is a member of a small community of psychedelic users in Wales, who started with recreational use and have moved on to help each other with mental health issues as well as  personal and spiritual development, through solo and group journeys, and support each other through informal discussions and integration work.

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In his book LSD and the Mind of the Universe, Christopher Bache follows Stan Grof in using three categories to distinguish different states of consciousness that are accessed in psychedelic and holotropic breathwork sessions. Bache calls these “platforms of experience”. The book is a treasure trove of theory for psychedelic explorers, and this post will be the third in what has unwittingly turned out to be a series of blog posts based on concepts drawn from it. 

In this post, I will give a little background on these terms and then outline the three levels based on Bache’s explanation. Bache distinguishes between three “platforms”, which he terms  psychic, subtle and causal.

The terms

The terms psychic, subtle, and causal were first coined by Ken Wilber in his 1980 book, The Atman Project. Wilber drew from Hindu and Buddhist sources and used them to label the evolutionary stepping stones on the psycho-spiritual journey. Wilber’s model, which also included non-duality, had four stages and culminated in non-dual spiritual enlightenment. In his outline, Bache does not include non-dual as a separate state as he found it to be an inherent feature of causal consciousness. 

Stan Grof’s description was phenomenological rather than hierarchical. He didn’t use the terms to describe an ordered sequence of  levels on a path as Wilber did, but rather to distinguish coexisting dimensions of consciousness, each with its own characteristics. 

Consciousness = Reality

These different levels of consciousness allow one to experience the corresponding aspects of reality. For example, a psychic level of consciousness allows one to explore psychic levels of reality; subtle level consciousness grants one access to subtle levels of reality; and causal, likewise. The value of entering these states is that they allow us to explore different levels of non-physical reality. As the late great Boston psychonaut Kilindi Iyi said of psilocybin, ‘it is, in its first and foremost principle, a tool of exploration’. 

Before beginning, it should be noted that Bache’s explanations accept the premise of reincarnation. I am not presenting this as truth, but write here to share ideas. 

Psychic level

At the psychic level one leaves physical reality and enters a spiritual realm. There remains, however, the sense of a separate self, as one’s conditioning from space time carries over. The experience is therefore that of being a separate spiritual entity amongst other discarnate entities. Our experience is still that of ourselves, but without our body. I would still be me, John, but disembodied, my ‘discarnate self’. Psychic level experience has a soul-centric quality to it, meaning that one will experience the soul, or ‘psyche’ of their current life.

Subtle level

At the subtle level one perceives the larger realities and more fundamental building blocks that make up life. One still has an experience of separateness, but the separate parts are larger and more basic than at the psychic level. If our separate selves are the individual rooms of a skyscraper, the parts we experience in subtle consciousness are like the steel girders of the building. We can begin to see the deeper architecture of what we call existence.

One may experience the collective consciousness of our species, or even of other species, and the archetypical forces that make up space time. Going deeper than the individual self, one may open to an experience of the spiritual self that reincarnates as many different forms through different lifetimes.

Here is a line from Bache that made me laugh:

“I’ve always thought that “subtle” was a strange name for this level of consciousness because there is really nothing subtle about it at all. Quite the opposite, in fact”.

Causal level

The first signature of causal consciousness is Oneness. Though Oneness may show up in one way or another at the other levels, as it is a fundamental truth of existence, oneness takes on another quality at the causal level. There is an experience of the universe moving as a single entity. There is no way of perceiving this Oneness from outside of it as it is the whole thing. Experience of Oneness at this level is the totality of existence perceiving itself, so any sense of separation is gone. Light, as with Oneness, may also show up in other levels, but is more refined at the casual level. 

Maps of experience

These platforms of experience form just one cosmological map and there may be many other ways of mapping spiritual (non-physical) experience. The Psychedelic Experience, a manual by Leary et al. based on the Tibetan Book of the Dead was another map of consciousness, and I I have also heard that the Bhagavad Gita can be used.

Ultimately though, the map is not the territory. I believe Bache said it perfectly:

“In the end, all these categories are only labels of approximation and convenience. One may divide the spectrum of spiritual reality in many ways […] it would be foolish to think we could do justice to the vast expanse of spiritual reality by using just three or six categories”.

Final Thoughts

Without any kind of frame for understanding, the new and at times intensely unfamiliar and alien realities we can visit in sessions can be disorienting, even once we have returned to normal consciousness. We may not know what to do with these experiences, and without sufficient context or points of reference and this can lead to feelings of bemusement or confusion.

This was certainly the case for me after my first DMT experience, and to a degree, my first LSD experiences. With no real place for these types of spiritual experiences in a culture where reductive materialism is a prevailing worldview, I found solace in Buddhist texts, which helped me to integrate these non-ordinary experiences and offered instructions on how to navigate them.

For explorers heading into new territories, having some kind of map or frame can be of great use. With this in mind, I encourage psychonauts to mentally try ideas like these on for size when embarking on a path of deep exploration. 

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How To Set Up Music for Psychedelic Sessions (+ 6 More Playlists for Psilocybin)

Prepare to be Offline

Download the playlist so it is available for offline use. Then for the session, put your phone on flight mode.

If using your computer to play the tracks, close all applications other than the music player. If you need to leave anything open, make sure there are no applications other than the audio player that can make a noise (like dings from messages received or calls coming in. Like with a phone, I suggest downloading the playlist offline and then disconnecting from the wifi. If you have a mac, make sure your Facetime is disconnected and there won’t be any calls coming through.

I also recommend downloading 1-3 hours of pre/post session music so you have something to put on before/after and can be offline for the entire day. I have found it is nice to put on some music beforehand whilst preparing the space, to set the mood and begin the process of entering. It can be helpful to have a short period of silent meditation between setup and dosing to centre before the journey begins. Once everything is ready and you’ve checked in, you can start the playlist and take your dose. 

Sound Set up

Check and set your sound levels before the start of the session so it is ready to go. Check both loud and quiet sections of the playlist. Ideally the music should be at a comfortably loud volume at the loudest sections. It should not be overbearing or too strong, but loud enough to be immersive.

I would recommend high quality over ear headphones for immersion in the experience, especially if you are in a location where there might be background noise or distracting sounds. You might consider noise cancelling headphones.

If possible, have the music playing simultaneously through headphones and speakers from the same signal. This is a tip I picked up from Mendel Kaelen back in 2017 and still use to this day.  This allows for continuity of experience if/when the headphones are taken off and also allows the opportunity to remove the headphones if one prefers. 

Group Sessions

When in groups or with friends, decide the playlist together beforehand. For a group session, I advise having a quiet room. This means that if anyone has a very strong aversion to a track, they can leave the room for a bit. If you don’t have the possibility of a second room, you might all use your own pair headphones. Another option if using speakers would be making an agreement beforehand that anyone can veto any track at any time and it will be skipped forward without discussion. 

In the case of someone having a feeling of aversion to a track, I would suggest that they try to sit with it for a short time before leaving the room or requesting a skip. They can look at and explore the feeling of discomfort inside themselves that the track is provoking, and see if there is anything to learn from it. If the feeling persists and the track is unbearable, they can leave the room or use their veto.

Spotify Settings (or other audio player)

Make sure your play queue is cleared. 

Make sure the tracks will play in order and not on shuffle.

Check your audio player settings for how the tracks will transition. Decide if you want a fade between songs or a standard transition with one track fully ending before the next one beginning. On spotify you can find this in settings > playback.

If doing a manual sync with two or more devices, make sure the playback settings are the same on each device.

6 More Playlists For Psilocybin Sessions

Here are links to 6 more playlists for use with psilocybin with some info on them and their creators below.

1. Music For Mushrooms– East Forest
2. Inner Peace – Tommi
3. Trust – Tommi
4. Gratitude – Tommi
5. Release – Tommi
6. Opening – Tommi

East Forest

• Music For Mushrooms: A Soundtrack for the Psychedelic Practitioner: Spotify

East Forest is an American musician who created this album live in underground ceremonies across the US. It’s a kinda neo ambient vibe with influences and instruments from world indigenous music. What I like about this as a soundtrack is its cohesion. Because this playlist is an album by one musician, it has the added bonus of it being curated as such and put together as an album specifically for mushrooms.

“Its compositional shape guides, and is guided by, the arch of the experience.”
– East Forest

In this article, East Forest talks about how he feels the other therapy playlists out there miss the mark as they are compilations of lots of shorter tracks. By comparison, this album is just 13 tracks. Incidentally, East Forest is now one of the musicians working with Wavepaths, an organisation founded by Mendel Kaelen that is focused on creating music for psychedelic sessions.

I personally had a very beneficial session using this playlist for a medium dose journey last year. During the journey I was taken through people in my life, shown what I needed to say to them, able to appreciate recent personal achievements, and then given a directive on what I needed to do in my life (spoiler; it was clearing).

You can hear East Forest on the Psychedelics Today podcast here.

And, as an extra aside, Ram Dass was East Forest’s guru, and East Forest has used samples of his talks on his album, ‘Ram Dass’.

Tommi

• Inner Peace: Spotify
• Trust: Spotify
• Gratitude: Spotify
• Release: Spotify
• Opening: Spotify

Mysterious spotify user Tommi has created 5 playlists on different themes: gratitude, opening, release, trust, and inner peace.

They are generally a mix of styles and include ambient, neo classical, and classical music as well as more tribal and traditional music from distant cultures. 

Use of Silence

One thing that I really like about these playlists that is missing from the others is that Tommi has put short periods of silence into the playlists. I find these are good moments to re-centre and breathe during the journey, acting as ‘pit stops’. Interestingly, Mendel Kaelen inserted silence into the playlists on the original psilocybin studies at Imperial. Rather than Spotify playlists, they were actually mixed as one master audio file, with some tracks even faded out or mixed in to each other. These nuances and sections of silence were lost when it was converted to a Spotify playlist. So it is nice to see that Tommi has found a way to create a playlist with silence built in.

My Experience

I have tried Opening, Release and Trust and my sessions to these playlists have been very helpful.

I journeyed to Trust on the third and final psilocybin session of a 15 week course last year that was a study replica of a John Hopkins clinical study with psilocybin. The session was a beautiful rounding out to what turned out to be a somehow cohesive trilogy, and was one of the best psychedelic experiments I’ve ever done. During this final session I was able to grieve and cry in the first half, and as the cleansing section ended I was given a refreshed clarity and renewed inspiration, and a clear path forward. 

Tommi has also created banks of music based on different themes, so you can put together your own playlist too. You can find these on his Spotify user profile.

Do you know of any more good playlists for psychedelic journeys? If so, please get in contact!

Safe Journeys!

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If your aim is to feel good during the session itself, then I would agree: wait until you’re in a better place. But when taking psychedelics for reasons of personal growth or learning, this maxim may be trumped by deeper considerations. 

Trippers With Severe Depression & Anxiety

Two groundbreaking studies have helped bring credibility and prominence to mainstream psychedelics based on the psychedelic experiences of people who would not be considered to be feeling good. At Imperial College London, their landmark study explored using  psilocybin to help  those with treatment-resistant depression, in other words, a persistent depression that many treatments have failed to ameliorate. In another landmark study at Johns Hopkins, psilocybin was shown to alleviate end of life anxiety in terminally ill cancer patients. In both these cases, participants clearly faced challenges in their emotional state.

The ‘set’ of the psychedelic tenet of set and setting generally refers to the mindset of the tripper and is broadly understood as the psychonaut’s internal state. This can include their outlook, how they’re feeling, and their mood.

However, when it comes to having a beneficial session, I would say that mindset is a far broader concept than mood, feelings, or emotional state.

Mindset Beyond Emotional State

As well as feelings and emotions, mindset includes how the experience is framed. How we frame something shapes how we see it: it is our perspective on what we are doing. Is the session billed as a time to have fun? Or is it understood as a rare and precious opportunity for learning? These intentions determine how we approach the session. Is it approached with respect? Is it approached with trust in how the experience may unfold?

Those taking part in the studies I’ve mentioned were prepared accordingly in matters of mindset; you see the psilocybin flight instructions here. Their sessions were not approached as a fun time with friends, but with a formality more akin to that of a ceremony or sesshin. Accordingly, participants were directed to be open to whatever arises, to trust in the experience, and to let go of any preconceived ideas about how the session ‘should’ go.

If the mindset is right, the person adequately prepared, in a safe setting and sufficiently supported during the experience, and with support systems in place for afterwards, and  then I would say that tripping when you’re feeling low can be one of the most useful and dare I say obvious times to trip.

My Experiences

I have personally taken psychedelics in a session format in some of the more rocky emotional patches of my life. 

One example is the time my parents were separating and I was coming to terms with the fact I would be seeing the home I’d always known being put up for sale. My mood and emotional state at the time was not what would be described as good; I was crying on the train up to do my session. However, I approached the occasion with great respect and formality. The resulting experience provided me with enormous relief and understanding, and I now see it as one of the landmark healing experiences of my life.

I have used psychedelics at various other times when going through bumpy patches and difficult chapters – at times when it might be considered ‘not the best time to trip’.

On these occasions, psychedelics have allowed me to see what was beneath, to really be in touch with my deeper, hidden, often repressed and unconscious thoughts and feelings, and given me a chance to process them.

I have seen shadow parts of myself, parts of myself that I was ashamed of. Some examples include a desire to earn more money, a desire to have more creative control on a project, and a sadness that was hidden. I avoided them because of various unconscious beliefs I held around them: that wanting more money means I’m greedy; that wanting more control means I’m power hungry; and that I shouldn’t feel sad about a certain event because I didn’t do anything wrong. 

The experiences I’m describing helped me to see all of these things and better understand myself. This was the first step towards acknowledging these hidden thoughts and as such, accepting them. Psychedelics have been such honest allies, revealing things inside me that I’ve found hard to accept. 

In every one of these sessions I had rough journeys and difficult experiences, and each time, I have felt so grateful for the opportunity.

These are tools which have helped me tremendously, through good times, but also especially through the bad times. 

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This post will cover how to dry truffles and then how to store them. With our dried truffles, I’ll finally show you how to calculate a desired dose, equivalent to their fresh weight doses.

How to Dry Magic Truffles

Take your truffles out of whatever packaging they might be in and lay them out on a sheet of paper, leaving space between each of the pieces. The spaces allow air flow, which aids the drying process. The paper should be kinda absorbent (e.g. not fine printer paper), newspaper works fine.

Break up bigger truffles into smaller pieces as this will also help to speed up their drying process. As best you can, leave this in a place where there is a good air flow. For example, somewhere out in the open, or in the middle of a room is ideal.

If you aren’t able to leave them in an open place which is well ventilated, they will still dry but will just take longer. If this is the case, just fan them with some air from time to time to get the air around them flowing, making sure there isn’t any stagnant air around them.

Be sure to occasionally let fresh air into the room and to allow air to flow through. You can keep a fan over them but it’s not necessary.

If you have them, put packets of silica gel by them which will help to absorb moisture in the air around them and can help to speed up the process.

Left like this, you can expect your truffles to dry completely in 2-3 days. In some cases, it might take up to a week. If you can, it is best to leave them out for a day or two longer to make sure they are completely dried.

You will know they are completely dried by the fact that they become extremely hard, to the point that it’s not possible to break them by hand. Half dried, they will be harder, but completely dried they become like stones.

Once they are dry, you can store them away.

How To Store Magic Truffles

Put your dried truffles into a container and keep them in a cool, dark place. Kept like this they will maintain a shelf life of many months.

Dried and powdered magic truffles

How to Take Dried Truffles

Because they are so incredibly hard, chewing dried truffles is not an option as it is with fresh ones. I’ve found easiest way to consume dried truffles is to grind them into a fine powder, mix with water, and then drink the whole mix. It doesn’t taste great, but it works.

A coffee grinder works well to grind the truffles. After grinding, wait a few minutes before opening the grinder to allow the truffle powder dust to settle.

Dosing with Dried Truffles

The process of drying truffles makes them lose a lot of their weight. It is important to take this change into account when calculating your dose with dried truffles. As a general rule of thumb, dried weight equates to one third of fresh weight, so 30 g fresh truffles becomes 10 g of dried truffles. However, it is best to weigh batches of truffles when they are fresh and then dried to know exactly the quantity that you have as the dried weight can vary depending on how thoroughly they have been dried – it can be that truffles are partially dried, becoming hard, but still carrying some water weight, meaning that they are closer to half of the weight of fresh truffles.

Weight your batch of fresh truffles and make a note of their weight.

After drying them, weigh them again to see the change in weight.

Then when it comes to calculating your dose, weigh the powder before (I recommend weighing the powder directly before preparing the dose rather than the dried truffles as parts of the truffles can get caught in the grinder).

An Equation To Calculate Desired Truffle Dose

Here is a useful equation you can use to calculate your dried truffle dose from your fresh truffle dose.

N/B*F = D

N = What truffles weigh now

B = What they weighed before

F = Desired dose fresh

D = Dose with current truffles

For example:

Say you had a batch that was 55 g of fresh truffles.
They have been dried, and now their total weight is 19.5 g
You want a dose of 25 g of fresh truffles.

So,

19,5/55*25 = 8.86 g

So your dose is 8.86 g of dried truffles.

The material

Prepare well, set your space, and journey well!

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