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mdma concert gig live music how to guide

MDMA and music: Magical combo.

MDMA and live music: Now we’re talking.

Concerts, gigs, shows. Whatever you call them. MDMA can heighten the experience beautifully.

The combo is a popular choice because it goes down so so well.

As the psychedelic revival continues to grow, much talk on the use and application focuses on the idea of using psychedelics in a medical or clinical context. While some argue that psychedelics are only good when used for treatment or healing, I believe in cognitive liberty. 

Citizens should have the freedom to alter their minds as they choose. That includes taking MDMA for enjoyment, fun, therapy, and mental health interventions.

I am a huge believer in using both classic and non-classic psychedelics for healing and therapeutic purposes, and at the same time, going to gigs on drugs has been one of my greatest joys in life.

So I wanted to write a blog post to help others have some amazing and memorable experiences. This post will contain some tips to help you make the most of your experience. Of course, many drugs can be enjoyed with live music, and most of the tips here will apply across the board. I’m just keeping on theme for MDMA month on the blog.

We’ll go in three sections, in chronological order: 1. Pre-show, 2. During, and 3. After.

Let’s ago!

mdma concert gig live music how to guide

1: Pre-Concert

Before getting into concert specifics, follow these standard MDMA best practices to help ensure a smooth and enjoyable experience.

1.1: Prepare Doses

Save yourself the hassle of fumbling with tiny crystals while you’re out and about. Pre-weigh your doses and have them ready to go in capsules. I generally like to dose before entering the venue if I can so I don’t have to think about any security checks, but in my experience, those are usually pretty lax.

1.2: Create a Basic Schedule

Timing the dose well is key. This prevents the need for redosing, or not being high when the band plays.

To time well, knowing the stage times is crucial.

Reach out to the band on Instagram or Twitter, contact the venue, or arrive early to find out, where stage times might be posted around. Otherwise, you might ask the sound guy or whoever is at the merch stand, as they’re usually wise to this info. If you can’t get this info before, you can make a best guess. Based on doors opening, how many bands are playing and recent gigs at the venue. 

Once you have the stage time, you can work backward to create a basic schedule and plan your time of dose accordingly.

I typically aim to be up and feeling the effects about 15-30 minutes before the band I am there to see steps on stage.

For example, say I’m seeing the Oh Sees, and they’re on at 9:00pm.

I like to dose on a more or less empty stomach, and MDMA takes about 80 minutes to kick in on said empty stomach. So I’d make a basic schedule that looks like this:

5:00 Dinner
7:15 Dose / Leave
8:00 Arrive venue
8:00 Opening band
9:00 Oh Sees

1.3: Essential Packing List

Make sure you have any important items with you. Here’s my standard packing list:

  • Wallet
  • Keys
  • Phone
  • Earplugs (I’ll usually use these for opening acts to save my ears)
  • Chewing Gum
  • Water (note that some venues won’t allow you to take this in)
  • Weed vape

Make your own with items you’ll need or want and know where you’re keeping them for the show.

1.4: Scouting the Venue

It can help to get familiar with the venue before the concert.

You might find out if sections are standing, or if seating is unreserved or reserved and choose your ticket type accordingly. This can help avoid the stress of searching for seats while under the influence.

mdma concert gig live music how to guide

1.5 Cloakroom and Jacket Considerations

To ensure maximum comfort during the concert, consider the cloakroom options. Some venues offer cloakrooms or garderobe where you can store your belongings for a small fee. Some don’t. Again, you might try and find this out before, but if you can’t you’ll need to be prepared for both scenarios. 

mdma concert gig live music how to guide

If it’s not available or practical, you might wear lightweight clothing and keep your valuables on you.

I’ve just placed my jacket in a corner or on the stage at some shows and picked it up after. If you do this you might take an old jacket so that you won’t be too worried if it disappears (it has happened to me once!).

2: Navigating the Concert Environment

2.1: Scouting the Venue on Arrival

When you arrive, familiarize yourself with the venue. Knowing the layout and key locations will help you feel more at ease and in control of your surroundings, help allow you to fully immerse yourself in the concert experience.

Here’s a few basics:

  • Locate the toilets: Knowing their location will save you time and prevent any unnecessary wandering around in search of them. Also good to have this knowledge when MDMA might increase your need to use the facilities.
  • Identify water sources: Staying hydrated is obviously important, especially if you’re going to be dancing or sweating. However, sometimes the bar queues are a joke. So you might like to keep a small bottle on you. One trick I use is hydrating from the bathroom taps if they’re accessible and clean. If you’ve been able to bring in an empty water bottle you can top this up there. It can also be nice to splash water over yourself to cool down.
  • Explore the outdoor area: Fresh air and a change of scenery can enhance your experience and provide a brief respite from the crowded concert environment. Also can be a good spot to meet up with friends or take a breather between sets.
  • Other places: Places to sit down: Good to know in case you need it.

Also good to familiarize yourself with the entrances, exits, and any other noteworthy features or spaces. 

2.2: Empty Your Bladder

I like to do this directly before the band I wanna see cause y’know, I don’t wanna go in the middle of their set.

2.3 Finding Your Spot In The Crowd

If standing, where are you gonna stand for the show?

This is entirely up to you, but if you’re with friends you might like to briefly discuss it before.

Will you attempt to stay together? Will you maybe lose each other in the crowd? Some people like to be closer to the action, some people prefer to be in spots where its less crowded. You may also split up and reconvene later. Some clarity on this can be useful though.

mdma concert gig live music how to guide

For most gigs I like free reign and then to catch up with friends again after. If you like to be close to the front, one trick I’ve found that works well is to wait until the band starts playing, and then just move forward to the pit. It helps prevent the old sliding past people and then just stopping awkwardly infront of someone.

If you’re close to someone in the crowd who’s bothering you for whatever reason, I’d suggest moving to another spot sooner rather than later.

If you’re in unreserved seating, you might like arrive early and claim your spot.

When choosing or booking seats, you might consider if you’d like to be close to the aisle for easy access and not having to trample and squeeze past people when you wanna get out.

2.4 Placing Your Attention

Where you put your attention can massively change your experience. It’s consciously filtering the intake of your setting.

This might be from watching the band, closing your eyes and tuning in to the sounds of the music, taking a panoramic of the light show, or watching a particular band member. If there is a band member whose energy you’re vibing with, try and get in a spot where you have a good clear view of them. Or just remember to keep your eyes on them.

3 After The Show

3.1: Establishing a Meeting Place

Designate a meeting spot for easy reunions with friends. Make sure it’s a location that everyone can find without difficulty. You might choose somewhere inside or outside the venue.

3.2: Planning Transportation

Don’t leave yourself stranded in an unfamiliar city late at night and high. Figure out your transportation options before, then plan your transportation to the degree that you’d like to., considering timings and availability of options.

3.3: Preparing for After the Concert

If you’re heading home after the concert, have your preferred food, drinks or whatever else you’d like ready and waiting for you. 

Final Thoughts

Some of my favorite and most memorable life experiences have been at concerts, with substances, and in a combination of both. That includes being obliterated in a tornado of Ty Segall’s guitars (2-CB+MDMA), feeling universal love with Sigur Ros (1p-LSD), and rocking out to the Oh Sees (MDMA – yes that example was from last month).

I hope this guide will help you to have some incredible and joyful experiences, too.

Remember basic safety, plan your schedule, pack the essentials, and navigate the concert environment like a pro. With these tips, you’ll be well-prepared to have an awesome time. 

If you have questions, feel free to reach out. I’m here to help you have an amazing concert experience!

Stay safe, and best wishes out there.

Strangeitude harry pack art dmt artist hyperspace trippy art
Strangeitude harry pack art dmt artist hyperspace trippy art

Strangeitude by Harry Pack @harrypackart

by The Archaic Revival

Most people read a travel guide before they go somewhere new.

But what if the place you’re going to features inter-dimensional travel, hyper-intelligent design, and a variety of sentient entities?

Here’s how to prepare for travel to DMT hyperspace:

Create a Comfortable Setting

dmt psychedelic comfortable setting

Make sure you are in a comfortable, private setting.

Bonus points if it is also aesthetically pleasing. You want this space to feel grounded and safe.

If you’re using a room in your house, clean it. Light a candle or incense if you please, do anything that makes the setting feel warm and inviting. The spot you choose should allow you to go from sitting to lying down immediately, make sure you have something soft to lay on and a pillow. Optionally you can use a reclining chair.

Have Someone With You

company dmt guide

This step is optional but recommended: have a trusted friend or loved one with you.

You can journey alone, but having someone by your side can help you stay grounded and reassure you of your safety. If you talk aloud during the experience, your sitter can help you navigate your experience or record what you said to tell you afterward.

Get Comfortable Physically

comfort psychedelic setting dmt

Wear loose-fitting clothes. The last thing you want while traveling through different dimensions is to be bothered by physical distractions.

Another optional, but helpful step is having a blanket over you during the experience. I find it adds comfort and a feeling of safety. A weighted blanket can also be used, the extra pressure puts your nervous system into “rest” mode which may reduce some symptoms of anxiety as you lift off.

Choose a Quality Vaporization Method

The last thing you want while reality is being ripped away from you is to have a coughing fit or to taste burnt DMT in your mouth.

My personal favorite vaporization methods are glass vapes(I use Eclipse) that are water-filtered & homemade vape pens, but everyone has different preferences.

Use whatever method seems best for you, but be aware that the “sub-quality methods” are significantly less efficient and often waste DMT.

Vapor Genie DMT Vaporization Pipe

Vapor Genie – DMT Vaporization Pipe

Top methods:

  • Homemade vape pen or mod (propylene glycol+DMT)
  • E-mesh vapes
  • Dry herb vapes with changa or enhanced herb
  • Glass Vapes (Eclipse, Vapor Genie)
  • Dab Rig with electric nail (controlled heat)

Sub-quality methods:

  • The ‘Machine’ (small glass bottle with hole in bottom & steel wool in the neck)
  • Oil Burner (the thin glass makes DMT easy to burn)
  • Sandwich method (DMT sandwiched between cannabis)
  • Dab Rig with Torch (hard to control heat)
  • Burning enhanced herb in a joint (not as efficient as vaping)

Avoid at all costs:

  • Lightbulb
  • Foil and a plastic bottle

Set a Simple Intention

candle set intention dmt psychedelic session

An intention does not need to be complicated: “I hope I meet an important entity”, or “I want to learn something new”.

You can write down your intention or simply say it aloud. By setting an intention, you are acknowledging your role in the future experience and helping anchor your psyche before hyperspace.

Practice Breathing

breathe dmt breathwork

Practice your breathing.

Counting in your head, breath in for 5 seconds, hold for 10, breath out for 5.

Repeat at least 3x.

Use this time breathing to clear your head & mentally prepare for the journey.

Measure Your Dose

dmt measure dose

The doses and descriptions below are general descriptions.

The doses below are based on a moderate tolerance, pure DMT, and a 100% efficient vaping method. If you’re using a less efficient vaping method, you may need a slightly higher dose for the same effects.

Personal tolerances vary widely, and these doses may be too low for some or too high for others.

~5mg [Threshold]

threshold dmt dose

At this stage your vision is enhanced and your setting feels much more important and aesthetically pleasing. You feel slightly stoned- but with a feeling of great significance.

5-10mg [The Chrysanthemum]

symbolika dmt art hd

DMT HD by Symbolika @symbolika_art

Mandalic closed-eye visuals, intense colors, complex geometric overlay, visual morphing during open-eyed visuals. A body high that is euphoric but out of body, quickly growing in intensity. An organic humming/buzzing noise.

10-15mg [The Transitition]

Increasingly complex visuals, accelerated out-of-body movement, an intense body high & a feeling of being sucked towards *something*.

As the visuals increase, so does the sound. As the humming reaches a crescendo, there is a sudden switch. The humming stops. A new world is created out of the previous scene flawlessly.

dmt symbolika butterfly morph artistt

Butterfly Morph by Symbolika @symbolika_art

15-20mg [The Waiting Room]

The final space before a full breakthrough, the waiting room feels like a liminal, hyper dimensional version of ‘The Backrooms’.

At this point, if you open your eyes, your scene will not change. You are fully immersed in hyperspace.

Waiting rooms vary in style immensely and entities may be present at this stage.

Cosmic Corridors ayjay dmt art artist

Cosmic Corridors by AyJay @ayjayart

20-25mg [Breakthrough]

Hyperspace feels “more real than real”.

There is a feeling of intense familiarity combined with absolute amazement. The body transforms into intense euphoria. You will be thrust into an otherworldly environment and likely will be approached by entities of some kind.

Guardian 2 dmt hyperspace harry pack art artist psychedelic

Guardian 2 by Harry Pack @harrypackart

+35mg [Approaching OD]

Taking too much DMT typically results in full dissociation and being unable to remember the experience. Overdosing on DMT isn’t dangerous to your physical body and rarely has any lasting effects on the mind.

Begin Smoking

dmt begin smoking psychedelics

No matter your method, be careful not to burn the DMT as you heat it.

Famously, it is supposed to take 3 hits to break through. Ignore this.

Mimic the breathing practice as you take your hits- holding the vapor for 10 seconds or more with each hit. It may take 1 hit, it may take 10. Keep inhaling DMT until no vapor remains or it is no longer possible to smoke.

Don’t Panic

Spirit Molecule dmt art artist ayjay trippy best

Spirit Molecule by AyJay @ayjayart

DMT is intensely disorienting, particularly when you first enter into hyperspace.

“What you resist, persists” – struggling or fighting against the effects won’t bring you back to reality. You signed up for the ride, time to buckle your seatbelt & look out the window.

Remind yourself: no one has ever died from smoking DMT and the experience will be over in about 10 minutes.

dmt stay calm dont panic

Interact With DMT Entities

About 95% of entities are benevolent and often approach you with curiosity, surprise, and love. They often say “welcome back, where have you been?” and can speak telepathically or verbally.

This is your chance to be curious- ask them questions, interact with them, who knows what you’ll find out!

Different Entities

Hieroglyph dmt entity harry pack

Hieroglyph by Harry Pack @harrypackart

There are a huge variety of entities, and essentially no limit to the different forms they take.

There are a few common types like Machine Elves, Fairies, or Jesters. Mythological and archetypal creatures from various cultures are another common type of entity. Entities vary in not only appearance but also motivations and power.

Some have the ability to create objects with their voice while others simply want to help you learn about yourself.

Dark Entities

symbolika aya dark entities dmt art artist

Aya by Symbolika @symbolika_art

While rare, simply thinking about dark entities makes them more likely to appear.

They appear more often when you don’t treat DMT with respect. Seasoned travelers call these uncomfortable experiences (not always related to dark entities) being ‘hyperslapped’. If you do end up running into an entity with dark energy, focus on feelings of hope, love, and light.

Explore & Learn

Celestial Stairway dmt art ayjay artist trippy psychedelic colors

Celestial Stairway by AyJay @ayjayart

Every DMT trip is different, though some people have traveled to the same places and met the same entities.

Approach each trip with curiosity, entities often have something to show or teach you. Sometimes what they show you is so complex that it can’t be explained with conventional language. You can also try to learn things on your own by traveling through different environments and not interacting with the entities.

Record Your Experience

dmt record your experience psychedelic

Just like a dream, a DMT trip begins to be forgotten the moment you wake up.

Use a journal, voice recorder, digital method, or create art to begin recounting your experience. This can be valuable information for personal development or for other travelers.

Share Your Experiences

share experience dmt guide

If someone had the key to alien communication, wouldn’t you want to know about it?

Share your journeys on online forums (Erowid/Reddit/DMT Nexus) and with people that you trust. The entities try so hard to communicate and have important things to share, the least you can do is to help them out a little!

My sources were personal experience and “Hyperspace Lexicon” on DMT Nexus.

Best wishes

Thanks for reading. I hope this guide helps you explore hyperspace in a safe, fun, and efficient way. DMT is a challenging yet incredibly rewarding entheogen. If you enjoyed this article, please follow me on Twitter @FatherMcKennaa

I discuss drugs, psychedelic culture, and will hopefully have another article out soon.

Also a huge thanks to the artists Harry Pack, Ayjay, & Symbolika who graciously allowed us to use their art and do a great service through their visionary artworks. Finally, thanks to John Robertson who inspired and assisted me on this article!

 



Credits

The Archaic Revival 

I write about the history, culture, and use of psychedelics and other drugs. My goal is to educate others, promote safe entheogenic use & advocate for drug decriminalization and related policies.

Twitter @FatherMcKennaa


Harry Pack

My work encourages the viewer to turn their mind from the fragility of the material world and towards a contemplation of something more stable and infinite. The kaleidoscopic paintings depict a visual realm at once fantastical, foreign and strangely familiar. Three-dimensional, dream-like landscapes composed of fractal shapes and ordered geometric patterns are populated by extra-terrestrial forms: strange humanoids, anthropomorphic machines, animals and plant-life moving purposefully throughout spaces that operate as portals into the personal and psychological.


Symbolika

Fabian, the creator of Symbolika, is a graphic designer who has turned his passion for psychedelics into a unique clothing brand. As a “psychonaut”, he has explored the depths of the mind through the use of psychedelics and has drawn inspiration from his experiences to create bold and vibrant designs. He has combined his skills as a graphic designer with his love for psychedelics to create a brand that is both visually striking and spiritually meaningful. Symbolika’s clothing is a reflection of Fabian‘s personal journey and his desire to share the transformative power of psychedelics with others through his designs.



Ayjay

Ayjay is an Australian digital artist known for incorporating his psychedelic experiences into his art. His work stands out for its vivid and precise representation of the DMT experience. His art showcases the bright colors, strange entities, alien machines, and patterned surfaces characteristic of the DMT world.

Online Store: https://ayjayart.shop/

My approach as a psychedelic facilitator really depends on the person I am working with and our relationship.

I don’t have any kind of preset formula in terms of what I will do or how I will interact with the journeyer. What each person needs is different and totally depends on their circumstance and where they are at on their journey. I try to meet everyone where they are, and in this way, every session or ceremony is a co-creation between myself and the person I am with.

At a tripsitting workshop I went to a few years ago, I got introduced to the concept of Maai from martial art aikido, which is maintaining the correct distance from your opponent, and also called the ‘engagement distance’. This is something which is very relevant when tripsitting; with some people I will be very close, and with others I will leave a lot of space. My actions are based on what I feel that person needs.

It may be that it is called for me to hold someone whilst they cry, hold their hand, or maintain their gaze for a time during the session. During one session, I held the journeyers’ hand throughout the entire journey (they even asked me to accompany them to the bathroom — I respectfully averted my eyes, of course).

In other situations, it may be that what is called for is simply a stable and steady presence in the room and to give the journeyer space. I have been a facilitator in group ceremonies where I’ve had basically zero interaction, not even looking at the group. In this situation I am there to hold space. During what can be at times a wild, crazy, and frightening experience, a strong, still presence can offer a sense of reassurance and, on a subtle level, an understanding that everything is under control. A still and grounded presence can be of great support and a lot can be said for simply being calm.

Of course, it is not one way or the other. Close, intimate interaction can change and give way to distance and space when needed. Sometimes I will simply sit beside someone. Sometimes I might place a hand on their shoulder to reassure them or to help bring them back to a somatic experience of their body.

At times, it may be that I speak with the journeyer for varying purposes. It may be to reassure them and help them feel safe, or it may be using the interaction as a means to explore their world with them. This could be by asking questions to help direct their attention in certain ways to help them go deeper into their experience, or to offer a different angle.

Though sessions can look very different, one thing that is consistent and that I do every time is to meditate on loving kindness. This helps me to stay connected to those feelings and for my actions to come from that place.

The session itself and the relationship between myself and the journeyer is a continually evolving and living thing. I will always speak with the journeyer beforehand about our interaction and the level of touch they are comfortable with, but I also make it clear that this is not fixed. In therapy, the biggest part of the healing process can be that of the relationship between the therapist and the patient, and likewise this can be said of that between the journeyer and the guide.

During the session, if someone then feels like they actually would like a hand to hold or a hug, then of course I am there. Conversely, they may feel like they would prefer to be left alone and would like some space. I will always honor them and their needs. This type of ongoing communication is a key aspect, and requires me to stay malleable and open to whatever may arise. Indeed, someone asking for help and receiving it, or setting a boundary and having it respected, can be a very empowering and healing thing itself within the session.

Intuition plays such a large role in tripsitting and effective facilitation is truly an art. Though certain knowledge is useful, it is not something that could be written up as a set of rules like: sit quietly and still, hold a hand if they start breathing heavily, hug them if they start crying.

I try to assess the needs of the session by feeling and intuiting on a moment-to-moment basis. Presence is important in this aspect and this is why a key part of my ongoing development as a facilitator is my meditation practice. As well as a training to develop my presence, another part of my meditation practice is to go into feelings. I find that this part helps to evolve how I tap into intuition. In other words, to get out of my own way and out of my head. There may be times when the voice of the ego or doubt comes up and this is where discernment is needed, to see what is needed to be done rather than what I want to do. This is certainly not something I have mastered by any means; I am a continuing student in this process. Indeed, the more that I learn, the more I realise there is to learn.

Working with people as a facilitator is an honour and of all the things that I do, it requires the most of me. A session or ceremony for me is like a cup final. I feel that I need to be as close as I can to my A game and in the best condition I can be. Nothing else I do requires the same level of care or presence. It is humbling to have such trust placed in me and of all my work, sitting is the thing I take most seriously. It is the moments that I have the most direct impact on people’s lives.

The psychedelic experience is an inherently wild entity and it is useful in to have a strong and steady container to contain such a thing. Having certain strict confines for a session can help to promote feelings of safety and security. This in turn will help a journeyer to relax more deeply and navigate their journey more effectively.

Part of a container can be the structure, and part of this can be agreements between journeyers and guides. Agreements may differ depending on the intention of the session and the people involved. For example, if you are doing a group journey with friends, agreements will probably be more relaxed than those of a 1-1 session with a hired guide.

Leo Zeff’s Agreements

Leo Zeff was a pioneer of psychedelic therapy and the subject of the book The Secret Chief Revealed. In this book, he shares five agreements that he had with all of his patients:

1. They will not leave the house where we’re having the trip at any time during the trip without prior clearance from me.

 

2. They agree that there will be no physical harm or violence to themselves or to me or to anything else in the house.

 

3. Reiteration of the security requirement. They agree they will not reveal to anybody else where and with whom they had this trip without prior clearance from me, ever.

 

4. I ask them to agree—now if this is a woman or somebody gay—I ask them to agree that there will be no sex taking place between us. I’ll explain the background for these agreements in a minute.

 

5. The last one I ask them to agree is that at any time during the trip if anything is going on and I tell them to stop it, stop doing it, and I make clear, “This is under structure; it’s not just a recommendation or suggestion,” they agree that they will stop it. Or if I tell them to do something and I make clear it’s under structure they agree that they will do it.”

You might also have other agreements or rules in place to contain the experience, such as the journeyer turning their phone off and handing it to you for safekeeping until the day after.

You might also ritualise them somehow, by shaking hands, or having everyone say ‘I agree’. It can be good to say them out loud and have an express verbal agreement before the start of the session, or in certain circumstances it may be appropriate to have certain agreements written down on a piece of paper and signed. 

If you are working as a guide, it is good practice to have agreements in place so that your journeyer can rest assured that certain boundaries will not be crossed, helping to create an emotionally safe space for the session.

.

The Secret Chief Revealed is available as a PDF on the MAPS website here. Tam Integration also wrote a piece about Zeff’s agreements you can find here.

Tripsitting friends can be complicated. When you have a specialist tripsitter or psychedelic guide that you pay for, much like with a therapist, the relationship is clear. There will probably be clear agreements in place about how your relationship is and how your interaction will be.

However, having a friend to tripsit can have the upside of being easier to organise, it already being someone that you trust, and also being a cheaper option. Personally I think it can be a good option, but it can be murky. The relationship already has personal history, and you should proceed with caution if you and a friend are going to go this way.

Before a couple of years ago most of my own therapeutic style psychedelic sessions were either solo or with a professional. Since then I have tripsit dozens of times for friends and have also had friends sit for me. This experience has taught me about what can be a complex dynamic of sessions with friends.

Here are three guidelines I’ve found helpful to keep in mind when sitting for a friend:

1. Treat it as if its your own trip

Don’t underestimate your responsibility as a tripsitter, even if its ‘just’ a friend. Something I always remind myself before sitting anyone is that I need to be prepared to hold them crying in my arms that day. You should be ready for that.

So treat the session with the respect that you would as if it was your own session. Make sure to arrive well rested. I really emphasise this point. If you are tired, it will hinder your ability to be really present and receptive to your friend. Being even a little tired can make us cranky and a worse version of ourselves. Needless to say we should be aiming to be at our very best, not for us, but for them.

Be sure to have cleared your schedule. I’d also recommend putting your phone on airplane mode for the duration of the session.

I see the tripsitter’s role as going on the journey with the journeyer, even if they are not taking any psychedelic substance. We are are still going with them, alongside them. If we follow the analogy of the guide being ground control in the airport tower, would you want your ground control to be distracted or answering a text message whilst you fly high? Doing appropriate clearing beforehand will allow you to be present.

Trip-sitting itself can be psychedelic and this should be borne in mind.

2. Be the most allowing version of yourself as the friend

That might sound strange. Let me explain. Relationships with friends can hugely diverse in terms of the ways we treat each other and the roles we play. The relationship can change hugely depending on the mood and the day. Sometimes we might tease and make fun of each other, others peaceful and chill. We might also enjoy having heated discussions and debates, each trying to prove our point.

When it comes to sitting, I recommend treating your friend as if they’d just received some awful news, had a really tough day, or are going through a really tough time.

Be openhearted and listen to them.

“There are three things you can do to heal someone. The first is to listen, the second is to listen, and the third is to listen.”

Listen to them. Really be a good listener. Hear what they have to say. Don’t start debates or discussions. Allow them space to speak, and when they don’t speak, don’t try to fill the space, allow it. Space is often where the magic happens, let it be.

If they say something which triggers you or you find yourself wanting to respond to ‘correct’ them. Just WAIT.

Some Do Nots:

  • Don’t challenge what they are saying or disagree with them
  • Don’t tell them they are wrong or correct them
  • Don’t try to convince them of your philosophy, or espouse yours to them

If you don’t understand their viewpoint, be patient, and take a moment to try and understand before any response. Approach with a genuine curiosity. Act as if they know something that you don’t. Use questions to help yourself reach their viewpoint, rather than using questions to get them to reach yours. 

What they need will come from within them, not from you telling them conclusions that you’ve already come to.

Being open, gentle and loving doesn’t mean being serious or inauthentically lovey dovey. It means being patient and sensitive to the depths and dimensions of them. You can still smile and be light.

I would recommend these guidelines regardless of how they are behaving and how fine they might seem. Even if they are joking or smiling, that doesn’t mean they aren’t still in a vulnerable and sensitive state. Some people joke around to hide their pain. Words or gestures, even a subtle tone of voice or body language, can have an big impact and be received like thrown weapons. Be mindful and sensitive.

If they are full of energy and joy and flying high, you don’t need to bring them back to earth. They will come back down on their own time.

3. Don’t skip to the end

Sitting requires a lot of patience and after sitting quietly for hours, it can be tempting to hurry back to your more usual way of relating as friends. This might include teasing, challenging etc. However, in the hours and days following a session there can still be subtle shifts ongoing. We can still very opened up, vulnerable and open to change. As research has shown, there is an increased neuroplasticity during the two weeks following an experience and this is a crucial phase of the integration process.

So try to follow 2. and continue being the most allowing version of yourself as a friend even after the effects of the drug have worn off. Doing that for a whole two weeks might seem a lot, so maybe try at least for the rest of the day and the day after.

The best thing you can do as a tripsitter, and as a friend, is to be accepting of whatever arises

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I have some more concrete practices to follow for friends organising to tripsit for each other but am out of writing time for today. If you’d like to see them, share this post and if I see some interest I’ll cover them in another one soon. Good day!