Tag Archive for: Psychedelics

Huangshan sunrise china mountain amt

Welcome to day 8 PSYJuly 🙂

In 2013, fellow seeker and Shanghai based expat Matt Nicol and I embarked on a journey to Huangshan, the famous Yellow Mountains of China. We did so armed with only two small backpacks, twenty joints, and two bombs of αMT. I am delighted to share Matt’s account of an incredible day during our time there…

Twenty Plus Two

The howl of another Chinese man-child spreads voraciously around the valley below. Beginning to fathom the splendid view he could contain himself no longer and then, barely gripping the handrail, leaned fully over the ledge to bellow and roar. Guttural flashes bounce over every crevice and return to us. I am here, he says. In the great expanse of time of all creatures and people who have stood here and documented their existence, I, too, am here. The mountains do not register; the mountains show no inkling of encouragement or receptivity: they give no concern for the sound echoed by past and present. What joy, what exuberance, to behold this man registering his powerful fragility amongst the vastness. Enveloping in a cry the girlfriend stood awkwardly by the deep reds that fade to nascent yellows, all punctuated by the green and browns of the miracle pines that line these sights.

How long did we stand there? In total, the time it takes to walk one step. We’d followed this man, of thick expression and oval features, for all time. We’d followed this woman, perplexing and quiet, time and a half. For our purpose we were a little less than halfway through endless present moments.

An alarm had been set that day. Agreed the night before, it would sound two hours before sunrise. And it was so. In one movement the alarm was silenced and a bomb was dropped and sleep resumed. Then, it sounded again. An hour already? Five more minutes. It sounds again. It’s time. Weary feet find shoes and trousers and the correct path. Darkness meets a coy lightness; they narrate our way, gradually revealing the path over and under the mountains.

Paused ascent becomes the resting place as we continue to come up. My companion takes a closer inspection on all fours. Clandestine smokes are the final preparation as eyes penetrate the day. Slowly, in bursts, accustomed in parts of a whole but not wholly. A place by the path, we settle and wait and watch our silence united. The approaching luminary comes. Layer upon layer of detail is stencilled in to the valley.

A black ship rises, dancing against the again invigorated blue. A medley of shapes twirl before us but it disbands, there is no encore. Yet there is no need, see there now, as if for the first time, the pregnant glow of the horizon. It arrests us all but calls mesmerizingly, the moment comes it comes it comes it is here: an orange crescent that reaches to us gladly in warmth and wisdom.

O great giver of life we are here today to greet you.

Millennia of solar worship are understood. Yet it is only after the fact that I am able to extricate these points to recognise them, to deconstruct the symbiotic perfection of that sunrise. In this moment filled with weightless understanding. In this moment caged by returned analysis. In this moment all is there: limitless and limited and all wondrously connected. The sun reveals amber shoulders and a darkening, smooth belly, its warm caress softly closing your eyes and demanding you perceive it.

Cheers further down the way pepper the slow ascent of the globular monster. Its brightness blinds at first, seeming to irradiate from a single point above the line of sky and earth; it tempts appreciative peeks and wild smiles as suddenly it towers above the morning’s mist and ignites. Warmth descends and guides rising spirits: the eyes must close to it now and instead feel the gentle consistency of its presence against body and person.

Petal led legs fold as the hands adopt their pose,

feel the dear sensation now the sun has rose.

Sit with the breath and the mind shall rest,

in a body worn as clothes.

The sun it rises and our faces smile and the matinee peace sits with us here

by this mountain path,

by this sheer drop,

by this vast ocean valley before us.

We have been sitting here now for a short while though most are beginning to return. Now the moment has passed they slink away in their groups, chatting and laughing and planning the day ahead, there is still so far to go. We sit by the path with its gentle stairs, short plateaus and sudden descents, scuffling shoes, and droplets of conversation. Our backs face a staircase and from here there is a sheer drop in front of us; the body on which we sit begins to stretch out somewhere below, straining to greet its temperate and rough companions. Mere specks on the shoulder of a slumbering beast, we have never seen as far as we do now: through mountaintop and rich valley stretching to where the sky tries to catch the fleeing earth. There are trees next to and above us, catching the sun and casting back shadows, before gleefully floating on breezes. Down far to our right the path swiftly becomes cloud and we can see no further.

A group now approaches, I can hear them sounding young and tired but pleased, and they pass us now and start to leave. Faintly recognizable from a chance encounter in darkness the night before, one approaches to ask if we remember them. Of course, we smile, greeting him and the bemused rest.

He says, may I take your photo?

Well, I don’t see why not.

You are handsome and cool, he says.

My brother, you have no idea.

A short shoot is arranged, first alone and then with befriended strangers. They know not of what they have touched this day; we garner this attention by merit of paler skin and stranger clothes and perhaps wider eyes. You have all become a part of our trip, friends, and for that we thank you before you go. Now they are gone, a thought: to whom has that photo been shown?

Yet we did not ascend to such a peak unassisted, and though we may still have further to climb this day it is unlikely to be in so isolated a state as this now. Soon the gates and cables will be opened and social media snappers will infest this celestial place. Perhaps just a little while longer, here we have time and no time and thus no fear. A certain solemnity has marked the whole occasion: expectations of wild thought and breathless talk have yet to bear fruit; instead, we sit in the shade of silent discussion. There we have the plan for the day and here we decide that now is when we should start to move on. 

With everything now returned to bags and backs and a final salutation of the sun committed, we begin to return. A short journey, though it visits several peaks and troughs, will take us to our place of rest: a mountain-top hotel upon a peak grazed by clouds. With the bags then packed and ourselves assembled we begin our saunter, skipping lightly through leaves and stones. Approaching a sheer drop staircase, the path we follow gently dissolves and becomes a forgotten part of the grand expanse of sky. It seems we’ve nothing in front of us now, merely these stairs that have been sculpted from rock.

Then, appearing without care, a splendid view: one majestic peak, three smaller kneeling before it, and a precarious stair path that snakes along, inviting and calling to us to follow this road. We had been sat from this sight for some hours in ignorance of what was before us, so now we stop, paused, wide of mouth yet nostril breathing, at the view. Jagged barren tips that reach from feet some distance below us are lined with trees and stand casually by. They need no appreciation, the quiet rest ongoing from an explosive birth inside the earth eons ago. We are pebbles, if not grains of sand, and begin to return as we must.

Just one step.

One step.

One step.

The short walk to the hotel seems shorter than the night before but only as a concept of time has evaporated. First we may look back to where we had been before, toward a great height that seems unimaginable now. Then to the side, away from our safe view down into the great life of below, a hand still placed on the rock face, just lightly so.  Or still forward, the undulating path that patiently waits for us to pass – that we may never return matters not, it is only that we may survey these great swathes of being. Beauty may be appreciated, yet it remains a projected conceptualisation from within: no matter, we will get closer to truth.

We arrive.

The carpets are louder and the staircase wider and the corridor the longest I’ve ever seen. Tracing through the faded memories of this Technicolor floor and dearly anticipating the soft, safe sanctuary of that far-flung corner door. It clicks open. First there is the protrusion of the bathroom, then two single beds opposite a dresser; the fourth wall is a window to another marvellous scene. Music, we need music. Felled like a tamed impala, I dissolve onto the bed with eyes brightened by clouds kissing crags and the looming solemnity that awaits this juvenile pool. Still yet we sit in silence. Of what use now is talk? We are spoiled by this view, this experience, this sensory heaven. (We know we will have to leave later, though such a time seems impossible so then discussion needless.) Seconds slide past our window. The soundtrack to our bliss-movie winds through hibernation and wonder. Raspberry Cane drops: one of my great ecstasies. Crawling and running, funnelled and expansive; into and through the silent and screaming recesses of mind. Circling now, still yet circling, closer to being and being further than before:

Nature is my nature,

Time is my view,

Beauty is my mantra,

beautiful is Truth.

Having checked out, pleasantries abounding, we return to the square just outside and settle into our walk. To feel sunlight and breeze eases the spirit and we begin: a single step to take us over three peaks and a valley. We gently pass through a careening mass of people who shout and spit and see only five megapixels at a time. We sit to let them pass, we smile as they snap us, our silence to their chatter, their lives and ours joined by passing glances. And then we continue, as they do too, too many views to recount in moments that were endless.

I have been struggling with these countless stairs, not knowing where to look: need I see my feet to walk or may I look further out? I still have half of this narrow staircase to tread and yet, the right hand rises, softly grazing then gently placed upon the rock face it lands on understanding.

We stand before a signpost with our maps outstretched though they don’t agree with each other. Which path is the right to tread? We choose, walk, choose, walk, and arrive in time.

There are mentions of rain showers all around us; a fear of falling water accelerates the saunters. We all huddle until it passes.

As I reach the bottom of another set of stairs I glance to my left to see my gaze caught by a monk. In that moment that we share we find time to communicate complete understanding.

Again, we take rest, there’s no need to hurry. My companion notices a small mountain spring and is taking the opportunity to refill our empty bottles, repeating the act for many of those who pass the other way. One young girl is astounded, Foreigners, is the explanation of her wise, smiling grandfather.

We have been following a young couple for some time, scaling a great peak before greatly accepting its adjacent decline. They kiss and skip and chatter, often looking back to see us both simply stepping through arpeggio raindrop cascades. They emerge to a peak and gasp, letting go of hands and inching toward the edge. Hear him now: hear how he howls.

Huangshan sunrise china mountain amt

respect psychedelics
PSYJuly 2021 psychedeelic carnival

PSYJuly 2021 is a online celebration of Psychedelics!

From 1st – 31st July 2021, one blog post about psychedelics will be published each day here on Maps of the Mind.

Last year I did PSYJuly largely as a solo project, writing and publishing 30 posts in 31 days, and featuring one guest post. I had an incredible time over the month and enjoyed connecting with my readers. This year, emerging from the isolation of corona, I would like to explore collaboration and community, so I am opening it up to feature writings from psychedelic bloggers, writers, explorers, activists and other psychedelic people from around the world.

I will also likely host a group call or two through the month to allow a space for readers, participants and contributors to connect. That will depend on how it’s going and expressed interest in this idea.

Intentions

The intentions for PSYJuly 2021 are:

  • To share information amongst psychedelic explorers and enthusiasts. To create an event and place to collect and share experience, ideas, and wisdom.
  • To build bridges amongst the psychedelic community. To create connections at a time where there are tensions within the movement. To encourage collaboration and conversation over infighting.
  • To offer a platform to emerging or aspiring writers, or experienced psychedelic explorers without a channel.

Will any of this cost anything?

No, it will be entirely free!

Would you like to take part?

If you would like to contribute and feel you have something valuable to share, submissions for blog posts are now open!

Some themes that I am currently leaning towards are:

  • How to: practical advice for psychedelic explorers
  • Tips, tricks & resources
  • Integration
  • Community
  • Personal stories, especially those willing to share their mistakes and lessons that were learned
  • Working in psychedelics
  • The psychedelic movement

That said, the only hard and fast criteria is that the piece is somehow about psychedelics, so if you have something else you would like to contribute, I invite you to make a submission. Length and format of blog post are flexible, I will personally read all submissions.

The post could be:

  • a text post
  • a video post
  • an audio post
  • a post linking to other resources
  • a list post

    Or something else that I haven’t thought of.

The lower word limit for text posts is 700 words.

The deadline for submissions is midnight CET June 18th.

Why make a submission?

For yourself, it will be an opportunity to connect with others, be part of a fun event, and gain exposure for your work.

But above all, you will be helping to spread the gifts of psychedelics and contributing to this exciting movement.

How to make a submission

You can make a submission by sending me a message via the contact form. Be sure to include the following information:

  1. Your name
  2. Your website (that you’d like linked when the article is published
  3. A short bio
  4. A link to a previously published article or blog post on psychedelics (if applicable)
  5. A summary or outline of the post you’d like to write (No more than 300 words)

If you have one, you are encouraged to publish the post through your own website or channel, with a link back to the carnival hub page on Maps of the Mind. Further details will be included once your submission is accepted.

There are a total of 30 spots available. If there are not enough relevant submissions, I will fill the empty slots and write the remaining posts. I will review all submissions and contact all successful applicants by June 19th. You will then be given a date in July to submit your piece by and any other relevant details.

Can I just read, follow along or partake without writing or submitting anything?

Absolutely. The purpose of PSYJuly is to create information to share and open channels for connection. I hope you’ll join along in whatever role it may be.

If there is anyone you know who might be interested, please pass this along with them.

I look forward to hosting PSYJuly and further spreading the gifts of psychedelics this summer!

what things i need for psychedelic trip

We all know how beneficial psychedelic experiences can be when we make the time for them. So why don’t we do them more often? Well, we all have our own reasons, but quite often it falls down to very 3 simple things. Recently, asking the psychedelic twitter crowd what their excuses were, I noticed these all too familiar things coming up.

Substance

Of course it’s difficult because of drug laws. So this may take some initiative on your part. Some options:

  • Grow your own. Possibly the best option for the serious psychonaut if you are able to. DoubleBlind offer an online course to grow your own.
  • Deep web. Admittedly I haven’t used this in about a decade and is fiddly to set up with all the crypto stuff. It does work though. Just go for domestic shipping and have your story straight.
  • Order a legal analog. AKA research chemicals, these are kinda new and a little unknown, so approach with caution. I myself have used 1P LSD and 1B LSD and I couldn’t tell the difference from standard LSD. PsychonautWiki is a good place to find out more info.
  • Order magic truffles. Psilocybin truffles are legal in the Netherlands. Some vendors in the Netherlands ship outside their country.

It may also help to go to where psychonauts hang out to build connections and network. Public talks, workshops, integration circles, and conferences are all good places.

Private Space

Having a private space is key. If you live in a flatshare or other shared space this can be a big obstacle.

Some options:

  • Ask friends who have their own place if you might be able to use it sometime. If you aren’t comfortable with telling them you’re going to trip you can tell them you’d just like some time to yourself. Perhaps a practice of silence, or some other kinda home practice, such as a meditation retreat.
  • If you live with your parents, maybe catch a time they are on holiday or away for a couple days.
  • Book an air bnb.

Time

Often the hardest one in our busy world.

A great quote I got from Psychedelic Experience founder Tim Cools:

‘Just plan it, and don’t cancel it’.

It really is as simple as that. Simple, not easy. Having a coach might be helpful, or planning to do a session with a friend. Organising with friends may take a bit more planning and coordination, but can help to stick to it as there’s social accountability. It’s also obviously a great way to deepen your connection.

I recommend taking 3 days. Day 1 to tie up loose ends (e.g. no urgent messages or emails hanging, all work and social commitments taken care of, letting anyone who needs to know that you’ll be offline). Day 2 to journey. Day 3 to integrate.

However, from my experience, a session squeezed in between work days is better than no session at all.

Set a date. Put it in the calendar.

That’s It!

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john robertson psychonaut

Hello. My name is John Robertson and I am a Psychonaut. 

john robertson psychonaut

A psychonaut is someone who uses psychedelic substances as tools of exploration. Exploration of the mind, of reality, of the universe. Like cosmonauts, psychonauts willingly enter into the unknown on a mission of discovery. We are explorers.

This year marks 10 years of being a psychonaut with my first psychedelic experience in late 2011. My use of psychedelics has evolved over time and so has my relationship with them. In the name of openness, today I’ll share what my current use looks like, including styles, intentions, substances, and frequency.

Psychedelic Therapy Style Method

I use psychedelics in many different ways but of the classic psychedelics my most common use is that of a psychedelic therapy style.

This means taking a medium to high dose in a comfortable and controlled indoor environment. I use headphones and an eye mask, while listening to a preselected playlist of music from start to finish. The headphones to immerse me in the experience, with the music acting as a type of guide, and the eye mask helps to keep my attention directed inwards.

I sometimes do this with friends but more often I do this alone. I find doing it alone really allows me to let go: I can express myself freely without worry of disturbing someone else. This might be sobbing, weeping, laughing, talking to myself out loud, groaning, grunting or making other animalistic or primal expressions. It may also be moving my body in some way like shaking, pacing around the room or even beating my chest. 

When working alone I have a set procedure that I follow and have built through practice. On the day, my ritual includes putting my phone on airplane mode, saying a prayer and giving thanks, and writing down my intention and saying it out loud before I consume the dose. I also close the ceremony by giving thanks and finally ringing a bell. It includes various preparation and integration practices, such as clearing in the days before, checking in with both of my parents, and journaling while listening to the playlist again on the day after the session.

I find this type of session to be the most useful thing I can do to gain access to the hidden realms of my psyche, to make the unconscious conscious, and to gain a better understanding and acceptance of myself. It helps to clarify things for me and I nearly always come out of a session with an extremely clear sense of where my heart wants to go and what I need to do next in my life.

I use this style of session as a tool for personal growth and view it as a foundational part of my spiritual practice.

These days I almost exclusively use psilocybin, though I have used LSD in the past and had great results. 

Exploring for Fun

I also use psychedelics in more casual ways and often with the express intention of having fun with friends. This may be inside, it could also be outside. The one thing that is consistent is that I like to be well prepared in terms of equipment, such as basics like having some food, drinks or snacks ready, and comfortable spaces to lie down with blankets. I also, like in the psychedelic therapy style, always write down all the doses I take and the times I take them. If I’m out or at a friends’ place, I will do this in my pocket notebook which I take everywhere with me.

I also like to give some thought to the types of things we might want to do beforehand, and may prepare things to entertain or amuse myself or the group with. These may be things to look at, things to touch, ponder, or experience. For example, music videos, wikipedia articles, or pieces of visual art.

When exploring for fun it is usually with LSD or 2C-B and sometimes combined with MDMA. Nitrous oxide has also often been in the mix in the past, but that is less common and more reserved for special occasions these days. Still, hitting a gas on a candy flip is something that I think every psychonaut should try once in their lives 😉

Between Fun and Therapeutic

Though I place the highest value on the classic psychedelics, I also use non-classic psychedelics such as MDMA and ketamine for having a comfortable exploration at home. This is usually a mixture of growth oriented introspective style work and a fun exploration of ideas or themes. I sometimes also mix in 2C-B for this type of session and have enjoyed trying different combinations of these three substances. I also like to experiment with different types of ratios in terms of dose and timing of doses, and sometimes also blend in some marijuana to mix it up and increase entropy in my streams of thoughts and experience.

For introspective style work, I do journaling to explore my thoughts and feelings. Generally the content is often about my relationships with others, things I’d like to do such as lifestyle changes or experiments, and ideas around creative and professional projects.

For the fun exploration of ideas or themes I will also explore with certain materials like music or art and journal about them.

I also like to do things which are a little more creatively ambitious which may extend over the course of multiple sessions to create a deeper exploration and expression. For example, during lockdown this year I explored the theme of ‘the Loner’ and loneliness. This is something I identify with and, living with two couples and not being allowed contact with anyone else for 2 months, this came up strongly for me. I explored it by creating a playlist of songs on the theme, reading the wikipedia pages of loneliness and solitude, and gave myself expression by writing and recording a punk song: ‘Loner’. It was awesome.

On more casual sessions like this I will also often just have an open free association brainstorm kind of thing just using pen and paper to externalise thoughts and ideas so I can see them and more easily make new connections.

Normally sessions will not be either therapeutic or fun, but a mix of both, always with the therapeutic and more challenging content coming up at the start of the session before giving way to a more relaxed tone and sense of agency about where I want to put my attention.

Psycholytic Style

I also do this type of fun/therapy session occasionally with a good friend of mine. We use ketamine as it is his preferred substance. Likewise, the first section of the session we generally do more therapeutically oriented work, and we will go for a more psycholytic style approach, using our conversation and interaction as a means to to dig in to and look closely at perceptions and feelings, question beliefs, reach deeper levels of understanding, and ultimately find some resolution with current issues in our lives. We also sometimes do role plays, acting out interactions with different people in our lives who we currently have tension with, and look at quotes from our favourite philosophers.

Music

I am a huge fan of music in general and just love listening to music on all psychedelic substances. I also occasionally like going to concerts and taking something. For example, a couple years ago, I went with some friends to see one of my faves Kurt Vile at the Kulturastrahaus and for the whole show just danced my little heart out down front. 

One of my more recent all time favorite life experiences was taking 2C-B with MDMA and seeing the-man-the-myth-the-legend, Ty Segall. Front row I got absolutely pounded in a tornado of thumping guitars that swept through the core of my being and left me mixed parts obliterated and exhilarated. Yeah, just awesome.

Nature Connection

Less often I take psychedelics out in nature so I guess I’m more of a city psychonaut. However, I think that is mostly due to the fact of psychedelics being illegal and my uncomfortable feelings of being outside and exposed in an uncontrolled environment. After all, psychedelics can and often do increase feelings of sensitivity and vulnerability. That is, however, something I would like to change because I would like to deepen my appreciation of the beauty of the natural world.

How often I take psychedelics

The frequency of my use really varies season-by-season and year-by-year. My practice and use, like life and myself, is a living, evolving thing. I do try to make time for psychedelic therapy style sessions at least a few times a year but there isn’t a set pattern that I stick to. Use of the non classics is more regular, even though I would say it is less beneficial. That is because my psychedelic therapy style sessions are a bigger deal, a 2-3 day affair, also with the added preparation time needed in the run up. They require more from me, in time and energy commitment, so it is harder to fit in. Still, I think I do a decent job.

For example, in 2019 I did around ten sessions with classic psychedelics, (about half in psychedelic therapy style), and ten-fifteen with non-classics. Last year, overall use increased with corona and I had around nine sessions with classics, and fifteen or so with non classics. So far in 2021, I have had two experiences with the classics, and a fair few of the non-classics to get me through a protracted lockdown.

I also sometimes microdose psilocybin or LSD but not often or with any kind of consistent frequency. 

My Name is John Robertson

Up until now I have written and worked under the name John Andrew. Andrew is my middle name and I first used this name before I was working in the psychedelic field.

At the time I had just finished a stint of three years as an English teacher and I was taking something of a sabbatical to travel. I was hoping to make it as a blogger but I wasn’t sure if at some point I would need to go back to teaching English or find some other kind of more conventional job to give myself another injection of cash that would enable to go on doing the types of projects that were closer to my heart.

I was worried about potential employers googling me and finding my blog writing about all my crazy and illegal psychedelic adventures and ultimately limiting my options and ability to work. It is kind of sad that I felt I had to hide such a huge part of what I see as a beautiful and core part of my identity but such was my predicament.

I used the name John Andrew for jobs such as workshops and public talks and continued to use it as I entered more deeply into the wider psychedelic network. When finally committing to full-time psychedelic work some years later I thought that it would be kind of fun to continue using what had become my pen and now psychedelic name. After all, having a pen name is kind of cool, and I also wanted to build on the name I’d started to establish.

By this point it was not that I was really hiding it from anyone that was important to me. I revealed my psychedelic side to both of my parents at the time of their separation. With everything that was going on I felt the need to reach a much deeper level of openness and honesty with both of them. I wanted them to really know their son. 

Initially my Dad was more accepting than my Mum and he was actually a huge support to me in the founding of the New Moon Psychedelic Retreat project which launched in 2019. He encouraged me to follow my heart and seeing that I had clarity on what I wanted to do, he pushed me to fully go for it. That is what I did and I committed myself to a project of a scope that I had never taken on before. I put a part of my heart and soul in to New Moon in a way that was a deeply meaningful and formative experience.

Since then it has then now come the point where people know me through my public psychedelic work and will actually call out to me as John Andrew. Or people closer to me know that my name is John Robertson, but they’ve also seen my name around as John Andrew and there is some kind of confusion. It’s not really that I was trying to keep those sides separate in recent years, it’s just that I had used that name for a while and just thought it would be more convenient to continue using it.

I now want to clear up this confusion and be called by my family name for my work. This is me taking one more step on my path of long term integration.

I am John Robertson.

And I fucking love psychedelics.

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